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18 items found

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Date: 1992-05-23
Description: One digital audio tape (DAT).
Collection

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Date: 1993-05-28
Description: One digital audio tape (DAT). Martin served as the emcee.
Collection

Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Date: 1997-05-23
Description: One digital audio tape (DAT). Between 6:30 and 7:45, the Florida Folklife Program presented that year's participants in the apprenticeship program.  Tomas Granado performed Mexican Norteno music.
Collection

Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Date: 1997-05-24
Description: One digital audio tape (DAT). Suggs served as emcee.
Collection

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Date: 1992-05-22
Description: One reel to reel recording. Arrazola and Granado, both of Homestead, played Mexican button accordion; and Arbie (Live Oak) and Stapleton (Miami) played Cajun-style accordion. They were participants in the 1992 Florida Folklife Apprenticeship Program. Folklorist Robert Stone introduced them. Folk singer Fitchen served as emcee.
Collection

Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date: 1991-11-25
Description: Two audio cassettes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date: 1992-04-02
Description: Two DAT tapes. Recorded in Granado's music store: T.G. Music. Tape 2 was unindexed. In between songs, they discussed their family and personal histories, how they learned to play, Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date: 1992-06-29
Description: Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of a Tex-Mex Cajun Frolic

Date: 1993-01
Description: Two DAT tapes. No date, artist identification, or location given.
Collection

Recording of a Tex-Mex Cajun Frolic

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Date: 1991-09-14
Description: One audio cassette. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

	Identifier	Title	Type	Subject
a_s1576_42_d92-015	Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)	Sound	Folk festivals Folklore revival festivals Festivals Special events Performing arts Workshops (Adult education) Arts, Mexican Norteño music Dance music Folk dance Folk music Mexico Musicians	/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_43_d93-032	Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)	Sound	Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Guitar music Acrobatics Norteño music Music Latin America African Americans Latinos Dance music Singers Musicians Guitarist Storytellers Acrobats Dancers	/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_77_d97-027	Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)	Sound	Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Conjunto music Old time music Guitar music Norteño music Arts, Mexican Mexican Americans Fiddle music Songs, Irish Irish Americans Folk music Mexico Mayans Serbian Americans African Americans Drum performance Calypso music Bluegrass music Stringband music Musicians Singers Fiddlers Bluegrass musicians Apprentices Bands (Music) Drummers (Musicians) Priests	/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_77_d97-032b	Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3	Sound	Singers Musicians Dancers Bagpipers Guitarist Folk festivals Folklore revival festivals Festivals Special events Performing arts Music performance Singing Stringband music Old time music String bands Bluegrass music Patriotic songs Filipino Americans Asian Americans Asian American arts Tsabouna Arts, Greek Greek Americans Bagpipe music Guitar music Mexican Americans Folk music Mexico Cumbia Bands (Music)	/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_t92-014	Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)	Sound	Folk festivals Folklore revival festivals Festivals Special events Performing arts Performances Music performance Guitar music Songs Guitarists Singers Accordion Accordion music Apprentices Folklorists Musicians Guitarist Accordionists	/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_23_tape09	Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola	Sound	Fieldwork Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Norteño music Musicians Accordionists Apprentices	/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape11	Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola	Sound	Fieldwork Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Norteño music Musicians Accordionists Apprentices	/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape13	Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola	Sound	Fieldwork Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Norteño music Musicians Accordionists Apprentices	/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_24_tape11	Recording of a Tex-Mex Cajun Frolic	Sound	Fieldwork Cajun music Music performance Accordions Latinos Mexican Americans Accordion music Accordionists Norteño music Musicians	/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1644_13_tape05b	Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola	Sound	Fieldwork Norteño music Arts, Mexican Mexican Americans Performing arts Music performance Accordions Latinos Music Latin America Musicians Accordionists	/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg

Florida Memory is a digital outreach program providing free online access to select archival records from collections housed in the State Library and Archives of Florida. Florida Memory digitizes materials that illuminate the state's history and culture.

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Florida Memory is funded under the provisions of the Library Services and Technology Act from the Institute of Museum and Library Services. Florida's LSTA program is administered by the Department of State's Division of Library and Information Services.

For FY2022-23, the percentage of total costs for the Florida Memory program financed with federal money is 66%; the federal dollar amount to be spent on the program is $646,422. This program does not receive any non-governmental funding.

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Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of a Tex-Mex Cajun Frolic

Recording of a Tex-Mex Cajun Frolic

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

State Archives of Florida

State Library of Florida

Related Sites

Reconstruction era voting records

Florida's first automobile registrations

Milestones in Florida's political framework

Letters, ephemera and other historical records

Documenting Florida's chief executive officers

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Friday performances at the 1993 Florida Folk Festival (Stage III) (Tape 1)

Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Friday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 5)

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Florida Folklife Program apprentices performing at the 1992 Florida Folk Festival (Main stage)

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of a Tex-Mex Cajun Frolic

Recording of a Tex-Mex Cajun Frolic

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola