18 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Granado, Tomas, 1955-"
Sorted by Title
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
Date
1991-11-25
Description
Two audio cassettes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
Date
1992-04-02
Description
Two DAT tapes. Recorded in Granado's music store: T.G. Music. Tape 2 was unindexed. In between songs, they discussed their family and personal histories, how they learned to play, Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
Date
1992-06-29
Description
Two DAT tapes. Granado played Norteno music, named for its North Mexico origins. The genre can include corridos and rancheras. Both musicians played the button accordion. For more information on both musicians, see S 1644, box 10, folder 3. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola

Recording of Norteno accordion player Tomas Granado with apprentice Abraham Arrazola
Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)
Date
1992-05-23
Description
One digital audio tape (DAT).
Collection
Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)

Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)
Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3
Date
1997-05-24
Description
One digital audio tape (DAT). Suggs served as emcee.
Collection
Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3

Saturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3
Saturday performances at the 2006 Florida Folk Festival (Folklife Stage) (Disc 13)

Saturday performances at the 2006 Florida Folk Festival (Folklife Stage) (Disc 13)
Date
2006-05-27
Description
One compact disc. Falcon served as emcee. Falcon and Stone interviewed Moreno and Granado of the Farm Workers Assn.
Collection
Saturday performances at the 2006 Florida Folk Festival (Folklife Stage) (Disc 13)

Saturday performances at the 2006 Florida Folk Festival (Folklife Stage) (Disc 13)
Tomas Granado performing serenatas

Tomas Granado performing serenatas
Date
1992-05-10
Description
Three audio cassettes. These tapes were recorded in 1992, probably as part of the Florida Folk Arts Apprenticeship program. Granado was a contact for the Mexican American Music Survey. The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
Collection
Tomas Granado performing serenatas

Tomas Granado performing serenatas
Tomas Grando performing Mother's Day serenatas

Tomas Grando performing Mother's Day serenatas
Date
1992-05
Description
Forty color slides, one proof sheet with 36 black and white images (plus negatives). The Mexican American Music Survey was created to document the musical traditions of Florida's various Mexican-American communities: Apopka, South Dade County, Immokalee, the St. Johns River Basin, and Central Florida. Funded by a grant from the Lila Wallace-Reader's Digest Community Folklife Program, the survey was conducted between 1994 and 1996 by folklorist Robert Stone. Among the musical traditions were serenatas, conjunto, quinceanara ritual music, ranchera Michoacana, mariachi, norteno, Tejano, and pop music. At the end of the project, a sampler music tape was created by the Florida Folklife Program for distribution to various libraries.
Collection
Tomas Grando performing Mother's Day serenatas

Tomas Grando performing Mother's Day serenatas
Identifier Title Type Subject Thumbnail
a_s1640_23_tape09Recording of Norteno accordion player Tomas Granado with apprentice Abraham ArrazolaSoundFieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices		/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape11Recording of Norteno accordion player Tomas Granado with apprentice Abraham ArrazolaSoundFieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices		/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape13Recording of Norteno accordion player Tomas Granado with apprentice Abraham ArrazolaSoundFieldwork
Arts, Mexican
Mexican Americans
Performing arts
Music performance
Accordions
Latinos
Music Latin America
Norteño music
Musicians
Accordionists
Apprentices		/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_42_d92-015Saturday performances at the 1992 Florida Folk Festival (Stage III) (Tape 7)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Workshops (Adult education)
Arts, Mexican
Norteño music
Dance music
Folk dance
Folk music Mexico
Musicians		/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_77_d97-032bSaturday performances at the 1997 Florida Folk Festival (Main Stage) (Tape 3SoundSingers
Musicians
Dancers
Bagpipers
Guitarist
Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Stringband music
Old time music
String bands
Bluegrass music
Patriotic songs
Filipino Americans
Asian Americans
Asian American arts
Tsabouna
Arts, Greek
Greek Americans
Bagpipe music
Guitar music
Mexican Americans
Folk music Mexico
Cumbia
Bands (Music)		/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2034_05_cd06-089Saturday performances at the 2006 Florida Folk Festival (Folklife Stage) (Disc 13)SoundFarmers
Migrant workers
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Workshops (Adult education)
Agriculture
Migrants
Latinos
Labor unions
Occupational groups
Mexican Americans
Farm life
Farming
Interviews
Farm workers		/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2029_01_tape01Tomas Granado performing serenatasSoundFieldwork
Serenades
Serenatas
Mothers Day
Mothers Day Songs and music
Music performance
Singing
Arts, Mexican
Mexican Americans
Folk music Mexico
Singers
Musicians		/fpc/memory/omeka_images/thumbnails/audio.jpg
Tomas Grando performing Mother's Day serenatasTomas Grando performing Mother's Day serenatasStill ImageMusicians
Fieldwork
Mexican Americans
Latinos
Mothers Day
Mothers Day Songs and music
Singing
Serenades
Holidays
Serenatas
Bands (Music)
Singers		/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg