14 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Ghent, Aubrey, 1958-"
Sorted by Title
Sunday performances at the 1994 Florida Folk Festival (Old Marble Stage) (Tape 3)

Sunday performances at the 1994 Florida Folk Festival (Old Marble Stage) (Tape 3)

Date
1994-05-29
Description
One digital audio tape (DAT). Storyteller Louis served as emcee. Louis and Fitchen told stories and sang to fill in for the scheduled gospel group Versiteers. Blues guitarist Book Binder lived in Polk City, and discussed the history of the songs he performed. Folklorist Stone introduced steel guitarist Ghent by providing a history of the sacred steel tradition.
Collection
Sunday performances at the 1994 Florida Folk Festival (Main Stage) (Tape 7)

Sunday performances at the 1994 Florida Folk Festival (Main Stage) (Tape 7)

Date
1994-05-29
Description
One digital audio tape (DAT). (Copied onto C94-102/103) Hoovler served as the emcee. Polk City-based guitarist Book Binder performed blues music. Ghent, discovered by Florida folklorist Robert Stone, performed "Sacred Steel" music - a form of black gospel performed on the steel guitar (aka the Hawaiian guitar), At the time, he was involved in the Folk Arts Apprenticeship program.
Collection
Recording of 1993-1994 apprentices & masters

Recording of 1993-1994 apprentices & masters

Date
1994-02-17
Description
One audio cassette. No location given. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Performers at the 1994 Florida Folk Festival

Performers at the 1994 Florida Folk Festival

Date
1994-05-28
Description
One proof sheet with 30 black and white images (plus negatives). Performers on the main stage, including gospel steel guitarist Ghent; traditional Scottish dancers; a string band, Merriweather; and a Florida songwriter, Dunn;
Collection
Master of the Sacred Steel album

Master of the Sacred Steel album

Date
1994-10-13
Description
One audio cassette recording. Master version of the Sacred Steel album, which was released in 1995 by the Florida Folklife Program. The album is divided into two sections: side 1 is instrumentals and concerts; side 2 are church services. For more information on musicians, recording locations, and production credits, see accompanying booklet, which can be found in S 2044, box 1, folder 22. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Interview with steel guitarist Aubrey Ghent and his father Henry Nelson

Interview with steel guitarist Aubrey Ghent and his father Henry Nelson

Date
1993-11-26
Description
Four audio cassette recordings. Recorded at Nelson's sister's house (Mary Linzy) in Ocala. Ghent and Nelson discuss the origins of the Sacred Steel tradition, early influences (e.g. Troman and Willie Eason), the House of God tradition, and playing styles. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Interview with steel guitarist Aubrey Ghent and apprentice Elton Noble

Interview with steel guitarist Aubrey Ghent and apprentice Elton Noble

Date
1994-07-30
Description
Two audio cassettes. Apprentice Noble agreed to learn from Ghent how to tune, play chords and melodies on the steel guitar, as well as learn the cultural background of sacred steel.
Collection
Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble

Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble

Date
1994
Description
Two proof sheets with 49 black and white images (plus negatives); eight color slides. Apprentice Noble agreed to learn from Ghent how to tune, play chords and melodies on the steel guitar, as well as learn the cultural background of "sacred steel" -- a form of African American gospel music performed on the steel guitar (aka the Hawaiian guitar). For more information, see S 1644, box 11, folder 24. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble

Images of the steel guitarist Aubrey Ghent with apprentice Elton Noble

Date
1994
Description
39 color slides. Apprentice Noble agreed to learn from Ghent how to tune, play chords and melodies on the steel guitar, as well as learn the cultural background of
Collection
Friday performances at the 2004 Florida Folk Festival (Main Stage) (Disc 2)

Friday performances at the 2004 Florida Folk Festival (Main Stage) (Disc 2)

Date
2004-05-28
Description
One compact disc. Kay, director of the Florida Folk Festival, served as emcee. They played gospel music on steel guitar, often referred to as sacred steel.
Collection
Identifier Title Type Subject Thumbnail
a_s1576_44_d94-032Sunday performances at the 1994 Florida Folk Festival (Old Marble Stage) (Tape 3)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Old time music
Steel guitars
Musical ensembles
Guitar music
Gospel (Black)
African Americans
Haitian Americans
Storytelling
Sing alongs
Blues (Music)
Musicians
Guitarist
Folklorists
Storytellers
Blues singers
Singers
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1576_43_d94-020Sunday performances at the 1994 Florida Folk Festival (Main Stage) (Tape 7)SoundFolk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Music performance
Singing
Blues (Music)
Guitar music
African Americans
Steel guitars
Gospel (Black)
Gospel music
Gospel musicians
Gospel songs
Religious music
Religious songs
Singers
Guitarist
Musicians
Blues singers
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_25_tape04Recording of 1993-1994 apprentices & mastersSoundFieldwork
Music performance
Singing
Steel guitars
Guitar music
Guitarists
Fiddle music
Fiddling
Piano music
Fiddlers
Guitarist
Pianists
Singers
/fpc/memory/omeka_images/thumbnails/audio.jpg
Performers at the 1994 Florida Folk FestivalPerformers at the 1994 Florida Folk FestivalStill ImageBands (Music)
Folk festivals
Folklore revival festivals
Festivals
Special events
Music performance
Drums
Percussion instruments
String bands
Performing arts
Steel guitars
Dancers
Drummers (Musicians)
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s2044_02_tape06Master of the Sacred Steel albumSoundGuitarist
Singers
Audiotape recordings
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Religion
Churches
Christianity
Concerts
Community concerts
Protestants
Church services
Prayer
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape12Interview with steel guitarist Aubrey Ghent and his father Henry NelsonSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Personal experience narratives
Interviews
Oral histories
Life histories
Oral history
Protestants
Christianity
Churches
Religion
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_24_tape13Interview with steel guitarist Aubrey Ghent and apprentice Elton NobleSoundFieldwork
Apprentices
Steel guitars
Guitarists
African Americans
String instruments
Musical tradition, sacred
Performing arts
Music performance
Interviews
Personal experience narratives
Gospel music
Religious music
Guitar music
Guitarist
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Images of the steel guitarist Aubrey Ghent with apprentice Elton NobleImages of the steel guitarist Aubrey Ghent with apprentice Elton NobleStill ImageGuitarist
Fieldwork
Apprentices
Steel guitars
Guitarists
African Americans
String instruments
Musical tradition, sacred
Performing arts
Music performance
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of the steel guitarist Aubrey Ghent with apprentice Elton NobleImages of the steel guitarist Aubrey Ghent with apprentice Elton NobleStill ImageGuitarist
Fieldwork
Apprentices
Steel guitars
Guitarists
African Americans
String instruments
Musical tradition, sacred
Performing arts
Music performance
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s2034_02_cd04-002Friday performances at the 2004 Florida Folk Festival (Main Stage) (Disc 2)SoundSingers
Guitarist
Musicians
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Music performance
Singing
Steel guitars
African Americans
Gospel (Black)
Gospel songs
Gospel musicians
Religious music
Religious songs
/fpc/memory/omeka_images/thumbnails/audio.jpg
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