| Apprentices at the 1994 Florida Folk Festival | Apprentices at the 1994 Florida Folk Festival | Still Image | Artisans
Basket maker
Folk festivals
Folklore revival festivals
Festivals
Special events
Baskets
Basket making
White oak
Arts, Cuban
Masks
Paper art
Craft
Material culture
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Apprentices at the 1994 Florida Folk Festival
- Date
- 1994-05
- Description
- Thirty-five color slides. Many of the slides are blurry. Images of 1994 Florida Folk Artists apprenticeship demonstrators, including white oak basket maker Jennings and Steen, and David and Isaac Duenas, who made Cuban gigantes.
- Collection
| Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Still Image | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994
- Description
- Four proof sheets with 114 black and white images; 35 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Still Image | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994-04
- Description
- 46 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Still Image | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994-07-31
- Description
- 20 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of the 1993-1994 Folk Arts Apprenticeship Program | Images of the 1993-1994 Folk Arts Apprenticeship Program | Still Image | Mask maker
Basket maker
Dancers
Artisans
Musicians
Whip maker
Net maker
Fiddlers
Fieldwork
Basket making
Pysanky
Egg decoration
Whip making
Basket work
Containers
Apprentices
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of the 1993-1994 Folk Arts Apprenticeship Program
- Date
- 1993
- Description
- Eleven color slides. Duplicate slides from the fieldwork files used for the 1993-1994 Folk Arts Apprenticeship booklet. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| Images of the 1993-1994 Folk Arts Apprenticeship Program | Images of the 1993-1994 Folk Arts Apprenticeship Program | Still Image | Fieldwork
Whip making
Basket making
Basket work
Pysanky
Egg decoration
Net makers
Netmaking
Fiddling
Mask maker
Basket maker
Dancers
Artisans
Musicians
Whip maker
Net maker
Fiddlers
Apprentices
Leather workers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Images of the 1993-1994 Folk Arts Apprenticeship Program
- Date
- 1993
- Description
- Seven color prints, 46 black and white prints. Duplicate prints from the fieldwork files used for the 1993-1994 Folk Arts Apprenticeship booklet. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_23_tape34 | Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Sound | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Interviews
Oral histories
Personal experience narratives
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994-01-22
- Description
- Two audio cassettes. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
| a_s1640_24_tape10 | Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda | Sound | Mask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Interviews
Oral histories
Personal experience narratives
Apprentices | /fpc/memory/omeka_images/thumbnails/catalog_audio.jpg |
Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda
- Date
- 1994-07-31
- Description
- One audio cassettes. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
- Collection
Listen: The World Program
