9 items found
Collection ID is exactly "1" AND Tradition Bearer is exactly "Duenas, David, 1968-"
Sorted by Title
Apprentices at the 1994 Florida Folk Festival

Apprentices at the 1994 Florida Folk Festival

Date
1994-05
Description
Thirty-five color slides. Many of the slides are blurry. Images of 1994 Florida Folk Artists apprenticeship demonstrators, including white oak basket maker Jennings and Steen, and David and Isaac Duenas, who made Cuban gigantes.
Collection
Cuban gigante at the 1994 Florida Folk Festival

Cuban gigante at the 1994 Florida Folk Festival

Date
1994-05-28
Description
One color slide. Duenas was a 1994 Folklfie apprentice under Isaac Duenas.
Collection
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Date
1994
Description
Four proof sheets with 114 black and white images; 35 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Date
1994-04
Description
46 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Date
1994-07-31
Description
20 color slides. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of the 1993-1994 Folk Arts Apprenticeship Program

Images of the 1993-1994 Folk Arts Apprenticeship Program

Date
1993
Description
Eleven color slides. Duplicate slides from the fieldwork files used for the 1993-1994 Folk Arts Apprenticeship booklet. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Images of the 1993-1994 Folk Arts Apprenticeship Program

Images of the 1993-1994 Folk Arts Apprenticeship Program

Date
1993
Description
Seven color prints, 46 black and white prints. Duplicate prints from the fieldwork files used for the 1993-1994 Folk Arts Apprenticeship booklet. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Date
1994-01-22
Description
Two audio cassettes. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon Zepeda

Date
1994-07-31
Description
One audio cassettes. Apprentices Zepeda and David Duenas had to learn from Isaac Duenas to design and construct the gigante and farola figures. For more information, see S 1644, box 11, folder 22. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
Apprentices at the 1994 Florida Folk FestivalApprentices at the 1994 Florida Folk FestivalStill ImageArtisans
Basket maker
Folk festivals
Folklore revival festivals
Festivals
Special events
Baskets
Basket making
White oak
Arts, Cuban
Masks
Paper art
Craft
Material culture
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Cuban gigante at the 1994 Florida Folk FestivalCuban gigante at the 1994 Florida Folk FestivalStill ImageFolk festivals
Folklore revival festivals
Festivals
Special events
Decorative arts
Arts, Cuban
Cuban Americans
Masks
Costumes
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaFarola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaStill ImageMask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaFarola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaStill ImageMask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaFarola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaStill ImageMask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of the 1993-1994 Folk Arts Apprenticeship ProgramImages of the 1993-1994 Folk Arts Apprenticeship ProgramStill ImageMask maker
Basket maker
Dancers
Artisans
Musicians
Whip maker
Net maker
Fiddlers
Fieldwork
Basket making
Pysanky
Egg decoration
Whip making
Basket work
Containers
Apprentices
Leather workers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Images of the 1993-1994 Folk Arts Apprenticeship ProgramImages of the 1993-1994 Folk Arts Apprenticeship ProgramStill ImageFieldwork
Whip making
Basket making
Basket work
Pysanky
Egg decoration
Net makers
Netmaking
Fiddling
Mask maker
Basket maker
Dancers
Artisans
Musicians
Whip maker
Net maker
Fiddlers
Apprentices
Leather workers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_23_tape34Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaSoundMask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Interviews
Oral histories
Personal experience narratives
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_24_tape10Interview with farola and gigante maker Isaac Duenas with apprentices Isaac Duenas and Ramon ZepedaSoundMask maker
Fieldwork
Arts, Cuban
Cuban Americans
Latinos
Masks
Figurines
Parade floats
Interviews
Oral histories
Personal experience narratives
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Questions and Feedback Form
Please provide your name
Please provide a valid email address
Please provide a valid phone number
Please provide a comment

Please note:
Under Florida law, email addresses are public records. If you do not want your email address released in response to a public records request, do not send electronic mail to this entity. Instead, contact this office by phone or in writing.