242 items found
Collection ID is exactly "1" AND Collector or Fieldworker is exactly "Stone, Robert, 1944-"
Sorted by Title
Alfredo Gallegos interview for the Mexican American Music Survey

Alfredo Gallegos interview for the Mexican American Music Survey

Date
1995-05-13
Description
One audio cassette recording. Interview by Stone with deejay Gallagos, who also owns with his brother Radio Continental (1490 AM).
Collection
Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Date
1991-06-16
Description
One audio cassette (DAT tape). Amy Cox began playing with her father Gerry and mother Regina in the Homegrown String Band in 1982 at the age of eight. They played the Florida Folk Festival from 1983 through the 1990s. A copy of their album, Little Streams of Whiskey, can be found in S 1640, box 21. Murphy was her apprentice in 1990-1991. 
Collection
Apprenticeships at the 1991 Florida Folk Festival

Apprenticeships at the 1991 Florida Folk Festival

Date
1991-05
Description
One proof sheet with thirty-six black and white images. 1-5: Jamican tales: Lucille Fuller, Veta Plummer, Sophia Campbell; 6: Blues guitar: Tampa Blue, Joe Reiva, Michael Dodge; 7: Venezuelan harp: Jesus Rodriguez; 8-16: East Indian dance: Perema and Prya Menon; 17-18: Fiddling: Gerry Cox, Amy Cox, Bob Murphy; 19-36: Cuban dancing: Cayo Hueso Comparsa.
Collection
Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Aubrey Ghent and his father Henry Nelson performing sacred steel music at various events

Date
1993-11-26
Description
One audio cassette recording. (Duplicate can be found on tape 5.) The first half of the tape was recorded at a House of God "Family and Friends Day Celebration" in Daytona Beach on 5 September 1993. The second half was recorded at the Ocala House of God Church #2 on 26 November 1993, and the then at the 1994 Florida Folk Festival on May 24 1994 (for entire festival performance, see D94-20 in S 1576.) On the second half, the vocals are weak. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Aubrey Ghent and the Calloway Sisters at the 1994 Florida Folk Festival

Aubrey Ghent and the Calloway Sisters at the 1994 Florida Folk Festival

Date
1994-05-28
Description
One proof sheet with 30 black and white images (plus negatives).
Collection
Aubrey Ghent performing Father in Jesus Name

Aubrey Ghent performing Father in Jesus Name

Date
1993-09-05
Description
One audio cassette recording. For more of these two, see tape 3. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Autoharp player Charley Groth and his apprentice Cheryl Belanger

Autoharp player Charley Groth and his apprentice Cheryl Belanger

Date
1991-06-21
Description
Two DAT tapes. This was the third visit by folklorist Stone; recorded at Groth's residence. Consists of a rehearsal (tape 14) and an interview with Groth (tape 14 and 15). The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Autoharp player Charley Groth and his apprentice Cheryl Belanger

Autoharp player Charley Groth and his apprentice Cheryl Belanger

Date
1991-05
Description
105 color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Autoharp players at the 1991 Florida Folk Festival

Autoharp players at the 1991 Florida Folk Festival

Date
1991-05
Description
Two color slides. Three autoharp players (chorded zither) at the 1991 Florida Folk Festival.
Collection
Bluegrass music at the 1991 Sunday Folk Music in the Park concert

Bluegrass music at the 1991 Sunday Folk Music in the Park concert

Date
1991-09-22
Description
One proof sheet with thirty-four black and white images (plus negatives.) Thin Ice was from Live Oak; and the Big Bend Ramblers were based in Tallahassee. The Sunday Folk Music in the Park concert series were held between September and February each year from 1991 through 1993 in the amphitheater at the Stephen Foster State Folk Culture Center (Stephen Foster Center). Each concert showcased a different mucial style: gospel, bluegrass, Florida folk, and Irish music among others. The series was arranged and promoted by the Florida Folklife Program.
Collection
Identifier Title Type Subject Thumbnail
a_s2029_01_tape06Alfredo Gallegos interview for the Mexican American Music SurveySoundField recordings
Interviews
Occupational folkore
Radio employees
Radio
Mexican Americans
Hispanic Americans
Broadcasters
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_22_tape05Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship ProgramSoundApprentices
Fiddle tunes
Old time music
Interviews
Field recordings
/fpc/memory/omeka_images/thumbnails/audio.jpg
Apprenticeships at the 1991 Florida Folk FestivalApprenticeships at the 1991 Florida Folk FestivalStill ImageApprentices
Performers
Guitarists
Guitar
String instruments
Folk dance
Fiddlers
Fiddles
Comparsa tradition
Folklore revival festivals
Arts, Cuban
Folk festivals
Storytellers
Guitarist
Harpists
Dancers
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s2044_02_tape03Aubrey Ghent and his father Henry Nelson performing sacred steel music at various eventsSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Festivals
Folk festivals
Special events
Church attendance
Church services
Protestants
Christianity
Churches
Religion
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
Aubrey Ghent and the Calloway Sisters at the 1994 Florida Folk FestivalAubrey Ghent and the Calloway Sisters at the 1994 Florida Folk FestivalStill ImageGuitarist
Folk festivals
Folklore revival festivals
Festivals
Special events
Music performance
Steel guitars
Guitarists
String instruments
Performing arts
Gospel musicians
Musicians
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s2044_02_tape09Aubrey Ghent performing Father in Jesus NameSoundFieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Bands (Music)
Musical groups
Churches
Religion
Christianity
Protestants
Guitarist
Singers
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_22_tape14Autoharp player Charley Groth and his apprentice Cheryl BelangerSoundFieldwork
Apprentices
Zither
Autoharp
String instruments
Musical instruments
German Americans
Women apprentices
Music rehearsals
Old time music
Country music
Interviews
Life histories
Personal experience narratives
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
Autoharp player Charley Groth and his apprentice Cheryl BelangerAutoharp player Charley Groth and his apprentice Cheryl BelangerStill ImageFieldwork
Apprentices
Zither
Autoharp
String instruments
Musical instruments
German Americans
Teaching of folklore
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Autoharp players at the 1991 Florida Folk FestivalAutoharp players at the 1991 Florida Folk FestivalStill ImageMusic
Harps
String instruments
Performing arts
Performers
Folk festivals
Folklore revival festivals
Zither
Autoharp
Musical instruments
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Bluegrass music at the 1991 Sunday Folk Music in the Park concertBluegrass music at the 1991 Sunday Folk Music in the Park concertStill ImageSingers
Performing arts
Music performance
Concerts
Community concerts
String bands
String instruments
Musical ensembles
Performers
Fiddlers
Fiddles
Guitarists
Guitar
Bluegrass music
Bands (Music)
Bluegrass musicians
Musical groups
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
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