242 items found
Collection ID is exactly "1" AND Collector or Fieldworker is exactly "Stone, Robert, 1944-"
Sorted by Subject
Recording of Cajun accordion player Papa Joe Arabie

Recording of Cajun accordion player Papa Joe Arabie

Date
1991-06-12
Description
One audio cassette. In between songs, Arabie discussed his family's history. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie

Recording of Cajun accordion player Papa Joe Arbie

Date
1991-06-12
Description
One DAT tape. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with Andrew Arbie

Recording of Cajun accordion player Papa Joe Arbie with Andrew Arbie

Date
1992-04-22
Description
Two DAT tapes. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Date
1993-01-04
Description
One DAT tape. Recording of a practice between Arabie and his apprentice Stapleton. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael Stapleton

Date
1992-01-25
Description
Two DAT tapes. Recording of a practice between Arabie and his apprentice Stapleton. They both also talk about their family and personal histories, how they learned the accordion, and musical influences. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton

Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike Stapleton

Date
1992-05-12
Description
One audio cassette. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Date
1991-06-16
Description
One audio cassette (DAT tape). Amy Cox began playing with her father Gerry and mother Regina in the Homegrown String Band in 1982 at the age of eight. They played the Florida Folk Festival from 1983 through the 1990s. A copy of their album, Little Streams of Whiskey, can be found in S 1640, box 21. Murphy was her apprentice in 1990-1991. 
Collection
Apprenticeships at the 1991 Florida Folk Festival

Apprenticeships at the 1991 Florida Folk Festival

Date
1991-05
Description
One proof sheet with thirty-six black and white images. 1-5: Jamican tales: Lucille Fuller, Veta Plummer, Sophia Campbell; 6: Blues guitar: Tampa Blue, Joe Reiva, Michael Dodge; 7: Venezuelan harp: Jesus Rodriguez; 8-16: East Indian dance: Perema and Prya Menon; 17-18: Fiddling: Gerry Cox, Amy Cox, Bob Murphy; 19-36: Cuban dancing: Cayo Hueso Comparsa.
Collection
Interview with leather worker Bob Dellis

Interview with leather worker Bob Dellis

Date
1993-07-28
Description
One audio cassette. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Interview with leather worker Bob Dellis

Interview with leather worker Bob Dellis

Date
1992-12-14
Description
Two audio cassettes. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. For more information on Dellis, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
a_s1640_22_tape34Recording of Cajun accordion player Papa Joe ArabieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_23_tape03Recording of Cajun accordion player Papa Joe ArbieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_22_tape35Recording of Cajun accordion player Papa Joe Arbie with Andrew ArbieSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_23_tape02Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael StapletonSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_22_tape36Recording of Cajun accordion player Papa Joe Arbie with his apprentice Michael StapletonSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Family history
Life histories
Teaching
Music rehearsals
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_23_tape05Recording of Cajun accordion player Papa Joe Arbie with his apprentice Mike StapletonSoundAccordion music
Cajun music
Accordion
Performing arts
Music performance
Musical instruments
Fieldwork
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_22_tape05Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship ProgramSoundApprentices
Fiddle tunes
Old time music
Interviews
Field recordings
/fpc/memory/omeka_images/thumbnails/audio.jpg
Apprenticeships at the 1991 Florida Folk FestivalApprenticeships at the 1991 Florida Folk FestivalStill ImageApprentices
Performers
Guitarists
Guitar
String instruments
Folk dance
Fiddlers
Fiddles
Comparsa tradition
Folklore revival festivals
Arts, Cuban
Folk festivals
Storytellers
Guitarist
Harpists
Dancers
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_24_tape05Interview with leather worker Bob DellisSoundApprentices
Fieldwork
Interviews
Personal experience narratives
Leather craft
Leather goods
Occupational groups
Occupational training
Tools
Saddlery
Design
Belts (Clothing)
Saddles
Oral histories
Carvers (Decorative artists)
Leather workers
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_24_tape02Interview with leather worker Bob DellisSoundApprentices
Fieldwork
Interviews
Personal experience narratives
Leather craft
Leather goods
Occupational groups
Occupational training
Tools
Saddlery
Design
Belts (Clothing)
Saddles
Oral histories
Carvers (Decorative artists)
Leather workers
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
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