242 items found
Collection ID is exactly "1" AND Collector or Fieldworker is exactly "Stone, Robert, 1944-"
Bluegrass music at the 1991 Sunday Folk Music in the Park concert

Bluegrass music at the 1991 Sunday Folk Music in the Park concert

Date
1991-09-22
Description
One proof sheet with thirty-four black and white images (plus negatives.) Thin Ice was from Live Oak; and the Big Bend Ramblers were based in Tallahassee. The Sunday Folk Music in the Park concert series were held between September and February each year from 1991 through 1993 in the amphitheater at the Stephen Foster State Folk Culture Center (Stephen Foster Center). Each concert showcased a different mucial style: gospel, bluegrass, Florida folk, and Irish music among others. The series was arranged and promoted by the Florida Folklife Program.
Collection
Blues guitarists at the 1991 Florida Folk Festival

Blues guitarists at the 1991 Florida Folk Festival

Date
1991-05
Description
Two color slides. Blues guitarist at the 1991 Florida Folk Festival.
Collection
Blues singer Bo Diddley with others at the 1995 Florida Folk Festival

Blues singer Bo Diddley with others at the 1995 Florida Folk Festival

Date
1995-05-27
Description
Two proof sheets with sixty-seven black and white images, plus negatives. Images of Diddley performing on the amphitheater, along with Remembranzas del Conuco, a Cuban guajiro decima group, and Seminole singer-guitarist James Billie. Diddley was one of earliest and most influential rock and roll performer sin the 1950s, creating a riff-driven sound that can be found in contemporaries such as Buddy Holly and Rolling Stones, as well as the harder rock bands of the 1970s and 1980s. Originally a classical violinist, Diddley turned to blues and rock, eventually signing with Chess records. He was known for his live performers and influence than for his hits. One of his trademarks was a square guitar. Though born in Mississippi, by 1995, he resided in Archer, Florida. At the time, singer-guitarist Billie was president of the Seminole Tribe of Florida. The Decima musical tradition was a 10-line improvised verse dating back to the 17th Century. Diddley's performance can be found in S 1576, box 44, tapes D95-29 and D95-30.
Collection
Bo Diddley at the 1995 Florida Folk Festival

Bo Diddley at the 1995 Florida Folk Festival

Date
1995-05-27
Description
Twenty-five color slides. Images of Diddley performing on the amphitheater. Diddley was one of earliest and most influential rock and roll performer sin the 1950s, creating a riff-driven sound that can be found in contemporaries such as Buddy Holly and Rolling Stones, as well as the harder rock bands of the 1970s and 1980s. Originally a classical violinist, Diddley turned to blues and rock, eventually signing with Chess records. He was known for his live performers and influence than for his hits. One of his trademarks was a square guitar. Though born in Mississippi, by 1995, he resided in Archer, Florida.
Collection
Boat builder Glen Simmons with his apprentice Donald Edward

Boat builder Glen Simmons with his apprentice Donald Edward

Date
1992
Description
Seven proof sheets with 226 black and white images (plus negatives). Images of Simmons and Ogden building an Everglades skiff. Also of Simmons boating in the Everglades. For more information see S 1644, box 10, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Boat builder Glen Simmons with his apprentice Donald Edward

Boat builder Glen Simmons with his apprentice Donald Edward

Date
1992
Description
121 color slides. Images of Simmons and Ogden building an Everglades skiff. Also of Simmons boating in the Everglades. For more information see S 1644, box 10, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Bob Dellis teaching apprentice Kitt Maynard about carving designs in leather boots

Bob Dellis teaching apprentice Kitt Maynard about carving designs in leather boots

Date
1992-01
Description
79 color slides. Images of Dellis with apprentice Maynard in his workshop. Dellis was a long-time leather worker originally born and trained in leather carver in Texas. He made belts, boots, saddles, and other leather carvings. Maynard was funded to learn to carve leather including design, layout, cutting, beveling, dying, painting, lacing and preserving. To complete her training, she had to complete three pieces. More images of the two can be found in S1577, volume 68. For more information on Dellis and Maynard, see S 1644, box 11, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton

Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton

Date
1992-03
Description
Four proof sheets with 141 black and white images (plus negatives). Arabie teaching Stapleton to play the accordion. Images were taken at various times. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton

Cajun accordion player Papa Joe Arabie with his apprentice Michael Stapleton

Date
1992
Description
Thirty-one color slides. Arabie teaching Stapleton to play the accordion. Images were taken at various times. Includes one taken at thr 1992 Florida Folk Festival. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by first folklorist Peter Roller, then folklorist Robert Stone. The program was continued each year through 2004.
Collection
Cast net maker Max Dooley and his apprentice Reginald Reis

Cast net maker Max Dooley and his apprentice Reginald Reis

Date
1993-01
Description
Four proof sheets with 116 black and white images (plus negatives). Originally born in Georgia, Dooley was a long-time Florida fisher and net maker. Reis, a Portuguese American fisher, was funded to learn to make and repair cast nets. He had to make one 8 foot and one 10 foot net. For more images of the two, see S 1640, box 16, folder 6. For more information, see S 1644, box 11, folder 7. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
Bluegrass music at the 1991 Sunday Folk Music in the Park concertBluegrass music at the 1991 Sunday Folk Music in the Park concertStill ImageSingers
Performing arts
Music performance
Concerts
Community concerts
String bands
String instruments
Musical ensembles
Performers
Fiddlers
Fiddles
Guitarists
Guitar
Bluegrass music
Bands (Music)
Bluegrass musicians
Musical groups
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Blues guitarists at the 1991 Florida Folk FestivalBlues guitarists at the 1991 Florida Folk FestivalStill ImageGuitar
Guitarists
Blues (Music)
Musical instruments
Performing arts
Performers
String instruments
Folk festivals
Folklore revival festivals
Guitarist
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Blues singer Bo Diddley with others at the 1995 Florida Folk FestivalBlues singer Bo Diddley with others at the 1995 Florida Folk FestivalStill ImageGuitarist
Musical groups
Performers
Folklore revival festivals
Folk festivals
Music
Performing arts
African Americans
String instruments
Guitarists
Rock music
Musical instruments
Arts, Cuban
Cuban Americans
Ethnicity, Seminole
Seminole Indians
Native Americans
Decimas, Cuban American (Spanish)
Blues singers
Musicians
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Bo Diddley at the 1995 Florida Folk FestivalBo Diddley at the 1995 Florida Folk FestivalStill ImageGuitarist
Singers
Performers
Folklore revival festivals
Folk festivals
Music
Performing arts
African Americans
String instruments
Guitarists
Rock music
Musical instruments
Guitar
Blues singers
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Boat builder Glen Simmons with his apprentice Donald EdwardBoat builder Glen Simmons with his apprentice Donald EdwardStill ImageFieldwork
Boatbuilding
Skiffs
Transportation
Waterways
Boats and boating
Material culture
Woodwork
Woodworking tools
Workshops
Wood craft
Wetlands
Apprentices
Boatbuilders
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Boat builder Glen Simmons with his apprentice Donald EdwardBoat builder Glen Simmons with his apprentice Donald EdwardStill ImageFieldwork
Boatbuilding
Skiffs
Transportation
Waterways
Boats and boating
Material culture
Woodwork
Woodworking tools
Workshops
Wood craft
Wetlands
Apprentices
Boatbuilders
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Bob Dellis teaching apprentice Kitt Maynard about carving designs in leather bootsBob Dellis teaching apprentice Kitt Maynard about carving designs in leather bootsStill ImageArtisans
Leather workers
Apprentices
Leather craft
Leather goods
Teaching of folklore
Workshops
Boots
Cowboy boots
Shoes
Clothing
Design
Decorative arts
Carvers (Decorative artists)
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Cajun accordion player Papa Joe Arabie with his apprentice Michael StapletonCajun accordion player Papa Joe Arabie with his apprentice Michael StapletonStill ImageFieldwork
Accordion
Performing arts
Music performance
Musical instruments
Cajun music
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Cajun accordion player Papa Joe Arabie with his apprentice Michael StapletonCajun accordion player Papa Joe Arabie with his apprentice Michael StapletonStill ImageFieldwork
Accordion
Performing arts
Music performance
Musical instruments
Cajun music
Folk festivals
Accordionists
Apprentices
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Cast net maker Max Dooley and his apprentice Reginald ReisCast net maker Max Dooley and his apprentice Reginald ReisStill ImageNet maker
Fieldwork
Fishing nets
Net makers
Netmaking
Nets
Occupational training
Weaving
Textile arts
Fishing Equipment and supplies
Occupational groups
Apprentices
Fishers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
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