Ana de Diaz making lace at her home | Ana de Diaz making lace at her home | Still Image | Needleworkers Fieldwork Bobbin lace Lace and lace making Lace bobbins Lacemaking Needlework Puerto Ricans Latinos Decorative arts Material culture Tatting | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Ana de Diaz making lace at her home
- Date
- 1988
- Description
- Twelve color slides. Diaz learned lace making after moving to Florida from Puerto Rico in 1983. She learned from Eva Ponton in San Juan and Ana Blanco in Jacksonville. For more information on Diaz, see S 1640, box 8, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the traditions alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Annie Sellers learning how to make chairs from Rufus Adams | Annie Sellers learning how to make chairs from Rufus Adams | Still Image | Material culture Chairs Furniture Cornhusk craft Domestic arts Woodwork Apprentices Women apprentices Fieldwork (educational method) Craft African Americans Chair caning Furniture maker Chair-makers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Annie Sellers learning how to make chairs from Rufus Adams
- Date
- 1988-03
- Description
- Seven black and white negatives. Rufus Adams and apprentice(stepdaughter) Annie Sellers making corn shuck bottomed chairs. Rufus Adams was born in Georgia in 1893. In 1940, Adams and his wife moved to Mayo, Florida. There he worked as a tenant tobacco farmer. From his wife he learned make corn shuck chair bottoms. He soon became known as the 'chair man.'
- Collection
Apprenticeship area at the 1989 Florida Folk Festival | Apprenticeship area at the 1989 Florida Folk Festival | Still Image | Folk festivals Folklore revival festivals Craft Workshops (Adult education) Folklife Fishing lures Tales Artisans Apprentices Storytellers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Apprenticeship area at the 1989 Florida Folk Festival
- Date
- 1985-05-27
- Description
- One proof sheet with twenty-six black and white images, plus negatives. 1-5: Liliane Louis and Fernande Forte learning Haitian tales; 6-10: Fernande Forte; 11-13: Carl Hansen making fishing lures; 14-16: Jason Kiel making fishing lures; 17-19: Carl Hansen and Jason Kiel; 20-23: Ana Diaz and Carmen Lindstrom; 24-25: Carmen Lindstrom; 26: Ana Diaz.
- Collection
Atsuko Lefcourte and her apprentices demonstrating ikebana | Atsuko Lefcourte and her apprentices demonstrating ikebana | Still Image | Artisans Flower arrangers Apprentices Flowers Arts, Asian Asian American arts Asian Americans Arts, Japanese Japanese Americans Material culture Plants Decorative arts Decoration and ornament Teaching of folklore Flower arrangement, Japanese | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Atsuko Lefcourte and her apprentices demonstrating ikebana
- Date
- 1988-03
- Description
- Four proof sheets with 98 black and white images (plus negatives). Master folk artist Lefcourte took on two apprentices in 1988: Levanthal and McGlamory. Ikebana (Way of the Flower) is the Japanese tradition of flower arranging. It originated in China in the 6th century. Lefcourte was born in Osaka, Japan, where she learned the art of the tea ceremony and flower arranging. She moved to Florida in 1975. For more info on Lefcourte, see S 1644, box 3, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Atsuko Lefcourte and her apprentices demonstrating ikebana | Atsuko Lefcourte and her apprentices demonstrating ikebana | Still Image | Artisans Flower arrangers Apprentices Flowers Arts, Asian Asian American arts Asian Americans Arts, Japanese Japanese Americans Material culture Plants Decorative arts Decoration and ornament Teaching of folklore Flower arrangement, Japanese | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Atsuko Lefcourte and her apprentices demonstrating ikebana
- Date
- 1988-03
- Description
- Forty-six color slides. Master folk artist Lefcourte took on two apprentices in 1988: Levanthal and McGlamory. Ikebana (Way of the Flower) is the Japanese tradition of flower arranging. It originated in China in the 6th century. Lefcourte was born in Osaka, Japan, where she learned the art of the tea ceremony and flower arranging. She moved to Florida in 1975. For more info on Lefcourte, see S 1644, box 3, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Barbering demonstration | Barbering demonstration | Still Image | Barbering African Americans Haircutting Demonstrations Hair Hair styling Barbers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Barbering demonstration
- Date
- 1991-03
- Description
- Fourteen color slides. Demonstration of African American hair cutting styles and barbering at the Stephen Foster Center. Many of the images are dark. Images of Isaac Moore cutting Teddrick Moore's hair.
- Collection
Barbering demonstration at the Stephen Foster Center | Barbering demonstration at the Stephen Foster Center | Still Image | Barbering Hair Haircutting Occupational groups African Americans Hair styling Barbers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Basket maker Mary Nell Bailey at the 1989 Florida Folk Festival | Basket maker Mary Nell Bailey at the 1989 Florida Folk Festival | Still Image | Basket maker Folk festivals Folklore revival festivals Festivals Demonstrations Basket making Basket work Basketry Children Baskets Craft | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Bobby Johns in his workshop | Bobby Johns in his workshop | Still Image | Wood carvers Carvers (Decorative artists) Material culture Woodwork Wood carving Artisans Tools Craft Sawmills Lumber trade | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Bobby Johns in his workshop
- Date
- 1988-12
- Description
- 37 black and white photographic prints, with negatives. Bobby Johns in his workshop in Pensacola. Photos 32-37 are of a nearby sawmill.
- Collection
Boeuf mask | Boeuf mask | Still Image | Material culture Fieldwork Decorative arts Masks Haitian Americans Arts, Haitian | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Boeuf mask
- Date
- 1989-11
- Description
- Twenty-five color slides. Haitian carnival mask.
- Collection