| Workers at the Gulf Stream Crab Company | Workers at the Gulf Stream Crab Company | Still Image | Fieldwork
Crab fisheries Equipment and supplies
Crabbing
Seafood gathering
Seafood industry
Crabs
Workers
Labor
Crabbers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Workers at the Gulf Stream Crab Company
- Date
- 1984-11
- Description
- Nineteen color slides. Workers unloading and steaming stone crabs. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Workers at Hubert's Net Shop | Workers at Hubert's Net Shop | Still Image | Net maker
Merchants
Fieldwork
Workshops
Netmaking
Occupational groups
Workplace
Fishing nets
Labor
Workers
Textiles
Fishing Equipment and supplies
Trawls and trawling | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Workers at Hubert's Net Shop
- Date
- 1984-11-02
- Description
- Twenty color slides. Shows Hubert and workers making a shrimp net. Images were created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year until 2003.
- Collection
| Workers at El Maximo Rancho | Workers at El Maximo Rancho | Still Image | Fieldwork
Ranching
Ranch life
Saddlery
Saddles
Leather goods
Occupational groups
Whip making
Whips
Workers
Workplace
Ranchers | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Workers at El Maximo Rancho
- Date
- 1984-03
- Description
- Two proof sheets with 52 black and white images (plus negatives). Images include Thompson and McQuaig; Wilder making saddles; and Lee making cow whips. Created as fieldwork for both the apprenticeship program and the Florida Folk Festival. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year until 2003.
- Collection
| Woodcarver Thomas Penney | Woodcarver Thomas Penney | Still Image | Carvers (Decorative artists)
Wood carvers
Fieldwork
Chain saws
Wood carving
Decorative arts
Woodworking tools
Art
Figurines
Statues
Material culture
Wildlife wood-carving | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Woodcarver Thomas Penney
- Date
- 1984-11
- Description
- Four color slides. From Canada, Penney travels the country carving wood signs for businesses. Here, Penney carves a bear with a chainsaw. Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Whips by Curly Dekle | Whips by Curly Dekle | Still Image | Whip maker
Whip braider
Whips
Fieldwork
Leather
Leather craft
Material culture
Tools | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Whips by Curly Dekle
- Date
- 1983-12
- Description
- Sixteen color slides. Examples of Dekle's whips. Images were created as fieldwork for the apprenticeship program. Dekle was a master artist during the third year, 1985-1986. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and had agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year until 2003.
- Collection
| Tuan and Da Nguyen, wood carvers | Tuan and Da Nguyen, wood carvers | Still Image | Carvers (Decorative artists)
Wood carvers
Fieldwork
Wood carving
Wood craft
Decorative arts
Asian Americans
Asian American arts
Arts, African
Vietnamese
Woodwork | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tuan and Da Nguyen, wood carvers
- Date
- 1985-07-24
- Description
- One proof sheet with twenty-one black and white images (plus negatives). Includes images of Tuan and his wife Da with his wood carvings. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tuan and Da Nguyen | Tuan and Da Nguyen | Still Image | Wood carvers
Carvers (Decorative artists)
Fieldwork
Arts, Asian
Asian American arts
Asian Americans
Wood carving
Artists | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tuan and Da Nguyen
- Date
- 1985-08
- Description
- Six color slides. Slides S86-1030 and S86-1034 are missing. Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tsabouna player Nikitas Tsimouris playing in his home for his family | Tsabouna player Nikitas Tsimouris playing in his home for his family | Still Image | Fieldwork
Greek Americans
Tsabouna
Bagpipers
Bagpipes
Arts, Greek
Musical instruments
Music performance
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna player Nikitas Tsimouris playing in his home for his family
- Date
- 1985-01
- Description
- Thirty color slides. Tsabouna is made from sheep's skin (also known as a Greek bagpipe). Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tsabouna player Nikitas Tsimouris playing in his home | Tsabouna player Nikitas Tsimouris playing in his home | Still Image | Fieldwork
Greek Americans
Tsabouna
Bagpipers
Bagpipes
Arts, Greek
Musical instruments
Music performance
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna player Nikitas Tsimouris playing in his home
- Date
- 1984-11
- Description
- Ten color slides. Tsabouna is made from sheep's skin (also known as a Greek bagpipe). Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
| Tsabouna player Nikitas Tsimouris at work | Tsabouna player Nikitas Tsimouris at work | Still Image | Fieldwork
Greek Americans
Workplace
Workers
Labor
Musicians | /fpc/memory/omeka_images/thumbnails/catalog_photo.jpg |
Tsabouna player Nikitas Tsimouris at work
- Date
- 1984-12
- Description
- Eight color slides. Musician Tsimouris (with his son) at his day job, a plasterer. Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
- Collection
Listen: The Latin Program