3 items found
Collection ID is exactly "1" AND Collector or Fieldworker is exactly "Dupree, Sherry, 1946-"
Sorted by Title
Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project

Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project
Date
1993-11-26
Description
Four audio cassette recordings. Recorded at Nelson's sister's house (Mary Linzy) in Ocala. Ghent and Nelson discuss the origins of the Sacred Steel tradition, early influences (e.g. Troman and Willie Eason), the House of God tradition, and playing styles. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project

Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording Project
Master of the Sacred Steel album

Master of the Sacred Steel album
Date
1994-10-13
Description
One audio cassette recording. Master version of the Sacred Steel album, which was released in 1995 by the Florida Folklife Program. The album is divided into two sections: side 1 is instrumentals and concerts; side 2 are church services. For more information on musicians, recording locations, and production credits, see accompanying booklet, which can be found in S 2044, box 1, folder 22. The Sacred Steel Guitar Recording Project originated in 1992 when Florida Folklife Program folklorist Robert Stone discovered that several predominantly African American House of God churches (a sub-sect of the Pentecostal church) in the St. Petersburg area were using steel guitars in their religious services. The practice began by Willie and Troman Eason in the 1930s, and expanded upon by players such as Henry Nelson and Lorenzo Harrison. Realizing that this was a unique musical tradition, labeled Sacred Steel, the Florida Folklife Program to applied for a grant from the National Endowment for the Arts to conduct fieldwork and create a music album for public dispersal. The aim of the project was to increase public awareness of the gospel steel guitar tradition, as well as document it for future generations. Matched with state funds, the grant period originally ran from October 1993 through October 1994, but was extended for another year. In that time Stone, along with sound engineers William Dudley and Mike Stapleton, interviewed and recorded several steel guitarists in the St. Petersburg area. An album entitled Sacred Steel was released in 1995. It was then re-released through an agreement with Arhoolie Records in 1997.
Collection
Master of the Sacred Steel album

Master of the Sacred Steel album
The Gospel Sound: When Good News Music Was Golden, 1940s-1960s

The Gospel Sound: When Good News Music Was Golden, 1940s-1960s
Date
1980
Description
One video recording. (VHS) Created as part of a traveling exhibit on gospel music. NOTE: Because this was a copyrighted work, no copies can be made.
Collection
The Gospel Sound: When Good News Music Was Golden, 1940s-1960s

The Gospel Sound: When Good News Music Was Golden, 1940s-1960s
Identifier Title Type Subject Thumbnail
a_s2044_02_tape12Aubrey Ghent and Henry Nelson interview for the Sacred Steel Guitar Recording ProjectSoundGuitarist
Singers
Fieldwork
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Personal experience narratives
Interviews
Oral histories
Life histories
Oral history
Protestants
Christianity
Churches
Religion
Musicians		/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s2044_02_tape06Master of the Sacred Steel albumSoundGuitarist
Singers
Audiotape recordings
Steel guitars
Guitar music
Performing arts
Guitarists
Music performance
African Americans
Religious songs
Religious music
Gospel songs
Gospel musicians
Gospel (Black)
Religion
Churches
Christianity
Concerts
Community concerts
Protestants
Church services
Prayer
Musicians		/fpc/memory/omeka_images/thumbnails/audio.jpg
The Gospel Sound: When Good News Music Was Golden, 1940s-1960sThe Gospel Sound: When Good News Music Was Golden, 1940s-1960sMoving ImageSingers
Documentary videos
African Americans
Gospel (Black)
Gospel music
Gospel musicians
Gospel songs
Religious songs
Religious music
Christianity		/fpc/memory/omeka_images/thumbnails/catalog_video.jpg