371 items found
Collection ID is exactly "1" AND Event Name is exactly "Folk Arts Apprenticeship Program"
Sorted by Type
Maya in Exile documentary

Maya in Exile documentary

Date
Description
One video cassette. 28-minute documentary by Allen Burns (a UF professor of anthropology) about Guatemalan Mayans immigrants in the United States. NOTE -- this is a copyrighted documentary. No duplicates will be made.
Collection
Raw footage of the 1989 Florida Folk Festival

Raw footage of the 1989 Florida Folk Festival

Date
1989-05
Description
Four video recordings. (3/4" tape) Video footage of the 1989 Florida Folk Festival, including the apprenticeship tent, performance son the main stage, park rangers, and festival crowds. For more details, see individual video descriptions in this database. Video FV-42 is a VHS copy of all four of the original 3/4" tapes.
Collection
Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)

Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)

Date
1985-05-27
Description
One video recording. (3/4" tape; 19 minutes) Video of the 1989 Florida Folk Festival. Footage of the Florida Folklife Program's apprentice tent. Hanson and his apprentice Keil demonstrate how to make fly-fishing hooks and lures. Diaz and Lindstrom demonstrated lace bobbin. And Famed irish fiddler Kelly and his two apprentices, Carsey and Gesele, play an Irish fiddle tune. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Video of Guajiro Decima singer Meliton Perdomo

Video of Guajiro Decima singer Meliton Perdomo

Date
Description
One video recording. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Video of Indian dancer Nila Radhakrishnan

Video of Indian dancer Nila Radhakrishnan

Date
1990
Description
One video recording. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Video of Japanese dancer Kazuko Law

Video of Japanese dancer Kazuko Law

Date
Description
One video cassette. Law performs the Wisteria Dance, Seven Hat Dance, Crow Dance, and Celebrations for New Emperor.
Collection
Video of Leather worker Bob Dellis and his apprentice Kitt Maynard

Video of Leather worker Bob Dellis and his apprentice Kitt Maynard

Date
1993
Description
One video recording. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller, and then Robert Stone. The program was continued each year through 2004.
Collection
Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Date
1991-06-16
Description
One audio cassette (DAT tape). Amy Cox began playing with her father Gerry and mother Regina in the Homegrown String Band in 1982 at the age of eight. They played the Florida Folk Festival from 1983 through the 1990s. A copy of their album, Little Streams of Whiskey, can be found in S 1640, box 21. Murphy was her apprentice in 1990-1991. 
Collection
Atsuko Lefcounte teaching her apprentices about ikebana

Atsuko Lefcounte teaching her apprentices about ikebana

Date
1988-03-14
Description
One audio cassette. Master folk artist Lefcourte took on two apprentices in 1988, Levanthal and McGlamory. Ikebana (Way of the Flower) is the Japanese tradition of flower arranging. It originated in China in the 6th century. Lefcourte was born in Osaka, Japan, where she learned the art of the tea ceremony and flower arranging. She moved to Florida in 1975. For more info on Lefcourte, see S 1644, box 3, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Autoharp player Charley Groth and his apprentice Cheryl Belanger

Autoharp player Charley Groth and his apprentice Cheryl Belanger

Date
1991-06-21
Description
Two DAT tapes. This was the third visit by folklorist Stone; recorded at Groth's residence. Consists of a rehearsal (tape 14) and an interview with Groth (tape 14 and 15). The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Identifier Title Type Subject Thumbnail
Maya in Exile documentaryMaya in Exile documentaryMoving ImageVideo recording
Documentary videos
Mayans
Maya arts
Emigration and immigration
Native Americans
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Raw footage of the 1989 Florida Folk FestivalRaw footage of the 1989 Florida Folk FestivalMoving ImageSingers
Musicians
Artisans
Guitarist
Needleworkers
Fishers
Dancers
Festivals
Folk festivals
Folklore revival festivals
Special events
Performing arts
Music performance
Video recording
Singing
Craft
Demonstrations
Indian arts
Indian dance
Fiddle music
Old time music
Cowboys
Country music
Guitar music
String instruments
Songs, Irish
Lace bobbins
Lace and lace making
Park Ranger
Apprentices
Fiddlers
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)Raw footage of the 1989 Florida Folk Festival (Video 1 of 4)Moving ImageFishers
Artisans
Needleworkers
Video recording
Festivals
Folk festivals
Folklore revival festivals
Demonstrations
Women apprentices
Fly fishing
Fishing tackle
Fishhooks
Fishing Equipment and supplies
Fishing baits
Bobbin lace
Lace and lace making
Lace bobbins
Lacemaking
Sewing
Needlework
Decorative arts
Decoration and ornament
Fiddle music
String instruments
Fiddles
Arts, Irish
Songs, Irish
Fiddling
Apprentices
Fiddlers
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Video of Guajiro Decima singer Meliton PerdomoVideo of Guajiro Decima singer Meliton PerdomoMoving ImageFieldwork
Latinos
Arts, Cuban
Cuban Americans
Singing
Decimas, Cuban American (Spanish)
Music performance
Performing arts
Oral performance
Apprentices
Singers
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Video of Indian dancer Nila RadhakrishnanVideo of Indian dancer Nila RadhakrishnanMoving ImageVideo recording
Indian Americans
Indian arts
Indian dance
Dance
Body movement
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Video of Japanese dancer Kazuko LawVideo of Japanese dancer Kazuko LawMoving ImageVideo recording
Body movement
Arts, Japanese
Japanese Americans
Arts, Asian
Asian Americans
Asian American arts
Dance
Dancers
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
Video of Leather worker Bob Dellis and his apprentice Kitt MaynardVideo of Leather worker Bob Dellis and his apprentice Kitt MaynardMoving ImageShoemakers
Video recording
Leather goods
Boots
Footwear
Clothing and dress
Leather craft
Decorative arts
Apprentices
Leather workers
/fpc/memory/omeka_images/thumbnails/catalog_video.jpg
a_s1640_22_tape05Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship ProgramSoundApprentices
Fiddle tunes
Old time music
Interviews
Field recordings
/fpc/memory/omeka_images/thumbnails/audio.jpg
a_s1640_20_tape20Atsuko Lefcounte teaching her apprentices about ikebanaSoundArtisans
Flower arrangers
Apprentices
Arts, Japanese
Flower arrangement, Japanese
Flowers
Japanese Americans
Asian American arts
Asians
Oral communication
Oral performance
Lecturers
Sound recordings
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
a_s1640_22_tape14Autoharp player Charley Groth and his apprentice Cheryl BelangerSoundFieldwork
Apprentices
Zither
Autoharp
String instruments
Musical instruments
German Americans
Women apprentices
Music rehearsals
Old time music
Country music
Interviews
Life histories
Personal experience narratives
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
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