371 items found
Collection ID is exactly "1" AND Event Name is exactly "Folk Arts Apprenticeship Program"
Apprentices at the 1994 Florida Folk Festival

Apprentices at the 1994 Florida Folk Festival

Date
1994-05
Description
Thirty-five color slides. Many of the slides are blurry. Images of 1994 Florida Folk Artists apprenticeship demonstrators, including white oak basket maker Jennings and Steen, and David and Isaac Duenas, who made Cuban gigantes.
Collection
Apprentices learning gospel music

Apprentices learning gospel music

Date
1990
Description
Two color slides; 30 negatives. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Apprenticeship area at the 1989 Florida Folk Festival

Apprenticeship area at the 1989 Florida Folk Festival

Date
1985-05-27
Description
One proof sheet with twenty-six black and white images, plus negatives. 1-5: Liliane Louis and Fernande Forte learning Haitian tales; 6-10: Fernande Forte; 11-13: Carl Hansen making fishing lures; 14-16: Jason Kiel making fishing lures; 17-19: Carl Hansen and Jason Kiel; 20-23: Ana Diaz and Carmen Lindstrom; 24-25: Carmen Lindstrom; 26: Ana Diaz.
Collection
Apprenticeship exhibit at the Stephen Foster Center

Apprenticeship exhibit at the Stephen Foster Center

Date
1987-11
Description
Eight color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Atsuko Lefcounte teaching her apprentices about ikebana

Atsuko Lefcounte teaching her apprentices about ikebana

Date
1988-03-14
Description
One audio cassette. Master folk artist Lefcourte took on two apprentices in 1988, Levanthal and McGlamory. Ikebana (Way of the Flower) is the Japanese tradition of flower arranging. It originated in China in the 6th century. Lefcourte was born in Osaka, Japan, where she learned the art of the tea ceremony and flower arranging. She moved to Florida in 1975. For more info on Lefcourte, see S 1644, box 3, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Atsuko Lefcourte and her apprentices demonstrating ikebana

Atsuko Lefcourte and her apprentices demonstrating ikebana

Date
1988-03
Description
Forty-six color slides. Master folk artist Lefcourte took on two apprentices in 1988: Levanthal and McGlamory. Ikebana (Way of the Flower) is the Japanese tradition of flower arranging. It originated in China in the 6th century. Lefcourte was born in Osaka, Japan, where she learned the art of the tea ceremony and flower arranging. She moved to Florida in 1975. For more info on Lefcourte, see S 1644, box 3, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Atsuko Lefcourte and her apprentices demonstrating ikebana

Atsuko Lefcourte and her apprentices demonstrating ikebana

Date
1988-03
Description
Four proof sheets with 98 black and white images (plus negatives). Master folk artist Lefcourte took on two apprentices in 1988: Levanthal and McGlamory. Ikebana (Way of the Flower) is the Japanese tradition of flower arranging. It originated in China in the 6th century. Lefcourte was born in Osaka, Japan, where she learned the art of the tea ceremony and flower arranging. She moved to Florida in 1975. For more info on Lefcourte, see S 1644, box 3, folder 11. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Autoharp player Charley Groth and his apprentice Cheryl Belanger

Autoharp player Charley Groth and his apprentice Cheryl Belanger

Date
1991-06-21
Description
Two DAT tapes. This was the third visit by folklorist Stone; recorded at Groth's residence. Consists of a rehearsal (tape 14) and an interview with Groth (tape 14 and 15). The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2004.
Collection
Autoharp player Charley Groth and his apprentice Cheryl Belanger

Autoharp player Charley Groth and his apprentice Cheryl Belanger

Date
1991-05
Description
105 color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Banjoist Dale Webber and apprentices

Banjoist Dale Webber and apprentices

Date
1989
Description
Seven color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Identifier Title Type Subject Thumbnail
Apprentices at the 1994 Florida Folk FestivalApprentices at the 1994 Florida Folk FestivalStill ImageArtisans
Basket maker
Folk festivals
Folklore revival festivals
Festivals
Special events
Baskets
Basket making
White oak
Arts, Cuban
Masks
Paper art
Craft
Material culture
Apprentices
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Apprentices learning gospel musicApprentices learning gospel musicStill ImageApprentices
African Americans
Gospel (Black)
A capella singing
A capella singers
Teaching of folklore
Singers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Apprenticeship area at the 1989 Florida Folk FestivalApprenticeship area at the 1989 Florida Folk FestivalStill ImageFolk festivals
Folklore revival festivals
Craft
Workshops (Adult education)
Folklife
Fishing lures
Tales
Artisans
Apprentices
Storytellers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Apprenticeship exhibit at the Stephen Foster CenterApprenticeship exhibit at the Stephen Foster CenterStill ImageApprentices
Furniture
Furniture makers
Exhibits
Education
Woodwork
Teaching of folklore
Chair-makers
Wood craft
Photography
Baskets
Basket work
Oyster tongs
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_20_tape20Atsuko Lefcounte teaching her apprentices about ikebanaSoundArtisans
Flower arrangers
Apprentices
Arts, Japanese
Flower arrangement, Japanese
Flowers
Japanese Americans
Asian American arts
Asians
Oral communication
Oral performance
Lecturers
Sound recordings
/fpc/memory/omeka_images/thumbnails/catalog_audio.jpg
Atsuko Lefcourte and her apprentices demonstrating ikebanaAtsuko Lefcourte and her apprentices demonstrating ikebanaStill ImageArtisans
Flower arrangers
Apprentices
Flowers
Arts, Asian
Asian American arts
Asian Americans
Arts, Japanese
Japanese Americans
Material culture
Plants
Decorative arts
Decoration and ornament
Teaching of folklore
Flower arrangement, Japanese
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Atsuko Lefcourte and her apprentices demonstrating ikebanaAtsuko Lefcourte and her apprentices demonstrating ikebanaStill ImageArtisans
Flower arrangers
Apprentices
Flowers
Arts, Asian
Asian American arts
Asian Americans
Arts, Japanese
Japanese Americans
Material culture
Plants
Decorative arts
Decoration and ornament
Teaching of folklore
Flower arrangement, Japanese
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_22_tape14Autoharp player Charley Groth and his apprentice Cheryl BelangerSoundFieldwork
Apprentices
Zither
Autoharp
String instruments
Musical instruments
German Americans
Women apprentices
Music rehearsals
Old time music
Country music
Interviews
Life histories
Personal experience narratives
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/audio.jpg
Autoharp player Charley Groth and his apprentice Cheryl BelangerAutoharp player Charley Groth and his apprentice Cheryl BelangerStill ImageFieldwork
Apprentices
Zither
Autoharp
String instruments
Musical instruments
German Americans
Teaching of folklore
Harpists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Banjoist Dale Webber and apprenticesBanjoist Dale Webber and apprenticesStill ImageApprentices
Banjoes
String instruments
Teaching of folklore
Musical instruments
Music performance
Music
Banjoists
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Questions and Feedback Form
Please provide your name
Please provide a valid email address
Please provide a valid phone number
Please provide a comment

Please note:
Under Florida law, email addresses are public records. If you do not want your email address released in response to a public records request, do not send electronic mail to this entity. Instead, contact this office by phone or in writing.