371 items found
Collection ID is exactly "1" AND Event Name is exactly "Folk Arts Apprenticeship Program"
Sorted by Title
1990 apprenticeship program master artists

1990 apprenticeship program master artists

Date
1990
Description
Seven color slides. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Ada Mickler and her palmetto hats

Ada Mickler and her palmetto hats

Date
1988-10
Description
Twenty color slides. Images created as fieldwork for the Folk Arts Apprenticeship Program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Aerial views of Big Cypress Seminole Indian Reservation

Aerial views of Big Cypress Seminole Indian Reservation

Date
1985-01
Description
Nine color slides Images created as fieldwork for the apprenticeship program. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and had agreed to train for at least six months. The first project director was Blanton Owen,who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Afro-Cuban drummer Florencia Baro and his apprentices performing

Afro-Cuban drummer Florencia Baro and his apprentices performing

Date
1989
Description
Six color slides; 18 negatives. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship Program

Date
1991-06-16
Description
One audio cassette (DAT tape). Amy Cox began playing with her father Gerry and mother Regina in the Homegrown String Band in 1982 at the age of eight. They played the Florida Folk Festival from 1983 through the 1990s. A copy of their album, Little Streams of Whiskey, can be found in S 1640, box 21. Murphy was her apprentice in 1990-1991. 
Collection
Ana de Diaz and Carmen Linstrom making lace at her home

Ana de Diaz and Carmen Linstrom making lace at her home

Date
1988
Description
Twenty-three black and white prints (plus negatives). Diaz learned lace making after moving to Florida from Puerto Rico in 1983. She learned from Eva Ponton in San Juan and Ana Blanco in Jacksonville. For more information on Diaz, see S 1640, box 8, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Ana de Diaz making lace at her home

Ana de Diaz making lace at her home

Date
1988
Description
Twelve color slides. Diaz learned lace making after moving to Florida from Puerto Rico in 1983. She learned from Eva Ponton in San Juan and Ana Blanco in Jacksonville. For more information on Diaz, see S 1640, box 8, folder 6. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the traditions alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath

Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret Horvath

Date
1985-04
Description
Two proof sheets with twenty-three black and white images (plus negatives). Andrea and Sylvia apprenticed under Margaret Horvath in 1984-1985. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Annie Sellers learning how to make chairs from Rufus Adams

Annie Sellers learning how to make chairs from Rufus Adams

Date
1988-03
Description
Seven black and white negatives. Rufus Adams and apprentice(stepdaughter) Annie Sellers making corn shuck bottomed chairs. Rufus Adams was born in Georgia in 1893. In 1940, Adams and his wife moved to Mayo, Florida. There he worked as a tenant tobacco farmer. From his wife he learned make corn shuck chair bottoms. He soon became known as the 'chair man.'
Collection
Antonio Lerios and apprentice Nick Toth making dive helmets

Antonio Lerios and apprentice Nick Toth making dive helmets

Date
1986-02-24
Description
Thirty-four color slides. Lerios began making diving helmets for sponge divers in 1913 in Tarpon Springs. When he was in his 80s, he decided to retire. In the meantime, Toth, fresh with a degree from University of Florida, decided to learn the trade, and he worked as an apprentice for Lerios. By 1992 when Lerios died, Toth had assumed control of the business. Diving helmets date back to the early 1900s. Once Greek divers began diving for sponges in Tarpon Springs in 1905, the diving helmet industry in Florida began. The helmets allow divers to walk into deep water to gather sponges. For more history of Lerios and Toth diving helmets, see: http://www.divinghelmets.com/pages/history.html The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, later replaced by folklorist Peter Roller. The program was continued each year through 2003.
Collection
Identifier Title Type Subject Thumbnail
1990 apprenticeship program master artists1990 apprenticeship program master artistsStill ImageTeaching of folklore
Dancers
Banjoists
Drummers (Musicians)
Fiddlers
Musicians
Tattoo artists
Wood carvers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Ada Mickler and her palmetto hatsAda Mickler and her palmetto hatsStill ImageArtisans
Fieldwork
Palm frond weaving
Palmetto weaving
Hats
Plants
Flora
Minorcans
Craft
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Aerial views of Big Cypress Seminole Indian ReservationAerial views of Big Cypress Seminole Indian ReservationStill ImageFieldwork
Aerial photographs
Landscape
Construction + architecture
Indian reservations
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Afro-Cuban drummer Florencia Baro and his apprentices performingAfro-Cuban drummer Florencia Baro and his apprentices performingStill ImageDrummers (Musicians)
Apprentices
African Americans
Cuban Americans
Arts, Cuban
Drums
Music performance
Musicians
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
a_s1640_22_tape05Amy Cox & apprentice Bob Murphy interview for the Folk Arts Apprenticeship ProgramSoundApprentices
Fiddle tunes
Old time music
Interviews
Field recordings
/fpc/memory/omeka_images/thumbnails/audio.jpg
Ana de Diaz and Carmen Linstrom making lace at her homeAna de Diaz and Carmen Linstrom making lace at her homeStill ImageNeedleworkers
Fieldwork
Bobbin lace
Lace bobbins
Lace and lace making
Lacemaking
Needlework
Puerto Ricans
Latinos
Decorative arts
Material culture
Tatting
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Ana de Diaz making lace at her homeAna de Diaz making lace at her homeStill ImageNeedleworkers
Fieldwork
Bobbin lace
Lace and lace making
Lace bobbins
Lacemaking
Needlework
Puerto Ricans
Latinos
Decorative arts
Material culture
Tatting
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Andrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret HorvathAndrea and Sylvia Kolozsvary learning Hungarian embroidery from Margaret HorvathStill ImageNeedleworkers
Embroiderers
Apprentices
Hungarians Americans
Embroidery
Needlework
Textile arts
Decorative arts
Material culture
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Annie Sellers learning how to make chairs from Rufus AdamsAnnie Sellers learning how to make chairs from Rufus AdamsStill ImageMaterial culture
Chairs
Furniture
Cornhusk craft
Domestic arts
Woodwork
Apprentices
Women apprentices
Fieldwork (educational method)
Craft
African Americans
Chair caning
Furniture maker
Chair-makers
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
Antonio Lerios and apprentice Nick Toth making dive helmetsAntonio Lerios and apprentice Nick Toth making dive helmetsStill ImageApprentices
Diving Equipment and supplies
Greek Americans
Helmets
Metal craft
Sponge fisheries
Workplace
Workshops
Teaching of folklore
Copper
Metal products
Artisans
/fpc/memory/omeka_images/thumbnails/catalog_photo.jpg
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