Now that Matthew has passed, it will be remembered alongside Camille, Andrew, and Charley as one of many hurricanes that have shaped Florida’s history. Help the State Archives preserve that history by donating your digital images of damage, flooding, and other effects of this event. To learn more about donations, please see below.
What are the digital photograph specifications?
File Format: TIFF, JPEG, RAW
Megapixel: Minimum 5MP
Can I donate photographs taken with my phone?
Probably. The camera on your mobile device may produce images of a high enough quality to meet our minimum requirements. Most modern devices, including iPhones (4 and newer), iPads (3 and newer), and many Android devices by Samsung, Motorola and Sony take photographs at a minimum resolution of 5 megapixels. Check your phone’s specifications to verify that it provides the appropriate quality for images
Will my photos be put on Florida Memory?
It is possible, but not all photographs donated to the State Archives appear on Florida Memory.
How do I donate my digital photographs?
Donors are asked to sign a Deed of Gift (PDF, 2 pages) transferring to the State Archives legal custody of the records and any copyright interests they hold in the records, thus allowing the Archives to make the records fully accessible to the public for historical research. Send all photos, along with the deed of gift, as attachments to the Archives by email at email@example.com.
Phobias are a part of the human experience. Some are reasonable or instinctive: arachnaphobia (fear of spiders), acrophobia (heights) venustraphobia (fear of beautiful women). And, well, some of the others are just strange or obscure: dendrophobia (fear of trees) or barophobia (fear of gravity).
Some even border on the illogical, such as coulrophobia (fear of clowns), automatonopobia (fear of mannequins). Others make more sense such as apiphobia (fear of bees), trypanophobia (fear of injections).
The following is a list of interesting phobias illustrated through the images of Florida Memory. Continue at your own risk; otherwise, enjoy.
Coulrophobia – Clowns
Coulrophobia – Fear of Clowns
Trypanophobia and Myxophobia- Injections and Slimy Things.
Portrait of Jack Rudloe injecting an octopus
Anthropopseudodoraphobia – People Dressed as Mascots.
Sparky, dalmatian fire dog costume
Santaphobia- Santa Claus
Lewis Yates and Santa Claus – Christmas, Florida
Hippopotomonstrosesquipedaliophobia – Long Words
View Over the Chassahowitzka River
Thalassophobia/Lilapsophobia – The Sea/Hurricanes
Waves hit Navarre Pier hard during Hurricane Ivan’s approach – Navarre Beach, Florida.
Hexakosioihexekontahexaphobia- The number 666
Building of Monticello Drug Company Monticello Drug Company, maker of Cold Remedy 666.
Apiphobia – Bees
Josh Ray, 21 year old beekeeper from Chattahoochee, removing beehive.
The curious story of Jim Williams begins with an early, botched operation of “Old Sparky,” Florida’s electric chair, and ends on the lips of a folk singer, with plenty of misinterpretation, heroics, and history in between.
On April 10, 1926, Jim Williams, a 25 year-old African-American man living in Palatka in Putnam County, Florida, was convicted of murdering his wife and sentenced to death by electrocution. His execution was scheduled for June 1, 1926 the Florida State Prison at Raiford.
Old Sparky at the Florida State Prison in Raiford, FL. c.1936. Photograph by Jack Spottswood.
On the day of the execution, Williams was strapped into what would become known as Old Sparky. As Williams awaited his fate, an argument erupted over who should throw the switch that would end his life. After many minutes and no resolution, prison superintendent James Simeon Blitch contacted Governor John Martin for an answer.
James Simeon Blitch, superintendent of Florida State Prison at Raiford, FL in 1926. Photograph by Jack Spottswood.
The problem derived from unclear language in the death warrant regarding who was to carry out the execution. The official document, signed by Governor Martin and addressed to both Superintendent Blitch and Putnam County Sheriff R.J. Hancock, gave these instructions:
“You, the said Superintendent of our State Prison, or some deputy by you to be designated, and you, the said sheriff of our said County of Putnam, unless you be prevented by sickness or other disability, shall be present at such execution. Such execution shall be carried out by you and such deputies, electricians and assistants as you may require to be present to assist…”
The warrant clearly required the presence of both men, but it did not specify which would serve as the executioner. Newspapers reported that the sheriff of the county in which the crime was committed was the official obliged to end the life of the condemned. In Williams’ case it would be Putnam County Sheriff R.J. Hancock. However, Hancock added to the confusion by sending two deputies, Walter Minton and L. Shannon in his place, and both men refused to carry out the execution. Superintendent Blitch was also unwilling to throw the switch. Given the uncertainty and confusion, Governor Martin instructed Blitch to return Jim Williams to his cell. Ultimately, despite two additional death warrants, Williams’ sentence was commuted to life imprisonment, but his story does not stop there.
Death Warrant of Jim Williams signed by Governor Martin
Florida State Prison at Raiford, Florida, 1920s.
As officials deliberated over who would serve as executioner, Williams’ sat in the chair terrified. His brush with death had a profound effect, as one would imagine. Attorney General (and later Florida Supreme Court Justice) Fred. H. Davis, said after visiting Raiford in 1927, “They can’t get him to sit in a barber’s chair because it looks a bit like the electric chair. He steadfastly refuses to undergo any tonsorial operations and I shouldn’t be surprised if it would not take the whole prison population to make him do it.”.
According to newspapers, in 1934, Williams jumped from a moving convict truck to save a woman and her child from a mad bull. He was granted a conditional pardon for his heroism and was released December 23, 1934. Although the details of his heroism are uncertain, the pardon issued by Governor Fred Cone is well-documented.
Text of the conditional pardon issued by Governor Cone from the minutes of the the Florida Board of Pardons.
After his release, he was never heard from again. Oddities promoter Robert Ripley, creator of Ripley’s Believe It or Not, offered a $500 reward for information about the whereabouts of Jim Williams calling him “the only person ever known to have been strapped in the electric chair and escape execution.”
Florida’s “Black Hat Troubadour”, Will McLean wrote a ballad telling the story of Jim Williams. While the story is that of Williams, McLean names him incorrectly as Abraham Washington, another death row escapee. The first verse refers to Washington’s story, while the rest is that of Williams. Abraham Washington was, as McLean sings, sentenced to death by hanging shortly before a new law requiring the use of the electric chair. The death warrant was declared void by the Duval County court because it specified that Washington was to hang, not be electrocuted, and hanging had been outlawed. The case went all the way to the U.S. Supreme Court. By that time, Washington’s sentence had been commuted to life imprisonment.
Well there was a man named Washington, his first name Abraham
The judge said he would ride the rope into the Promised Land
Before he met his fateful doom, the hanging law was dead
They took him down to Raiford-town to the electric chair instead
They strapped him in the electric chair and so while he was waitin’
The warden and the county sheriff were talkin’ and debatin’
Which one of us must throw the switch and send this man to Hell?
But no decision could be reached; in prison he would dwell
They took him from the electric chair, his sweat had turned to blood
They told him that his life was spared and from his eyes did flood
the salty tears of gratefulness; it happens to all men
Down on his knees he made this vow to never sit again
One day a prison gang did ride by pastures that were green
A mother with her baby strolled so happy and serene
Suddenly a vicious bull did charge this freighted wife
And Abraham, he jumped the fence and saved this woman’s life
A pardon full to Washington, his first name Abraham
Who took a vow to never sit again while on this land
The last account of Washington, the day was cold and wet,
was Abraham, have you kept your vow? And he said “I ain’t sat yet.”
Many people may not be aware but at the turn of the century, Florida had its very own Billy the Kid. And while he wasn’t a rustler or robber, he was a train-hopping rogue active in the Fort McCoy area who garnered attention for his activities on the Ocklawaha Valley Railroad between Ocala and Palatka in Marion County.
Map of the Oklawaha Valley Railroad from Palatka to Ocala.
He was best known by another name: Billy, the Ocklawaha Valley Railroad Goat. The goat belonged to Lucy Calhoun, daughter of the engineer of Old No. 101 for Rodman Lumber between 1914 and 1922. According to the tale, as a kid, Lucy’s goat got free and caught a train on the fly. Fortunately for the young rail rider, he wasn’t ditched from the shortline and was returned to Fort McCoy. From then until the rail’s decline, Billy could be found tramping on a hobo’s ticket.
Old No. 101 Engine on the Ocklawaha Valley Railroad. With Lucy Calhoun and her chief engineer father Bertie “Bud” Calhoun.
It has been suggested that Billy was among Florida’s first railway enthusiasts, but is almost certainly its first ungulate tramp. By the early 1920s, The Ocklawaha Valley railroad was abandoned and the story of Billy, the Ocklawaha Valley Railroad Goat ends there. All we can do is hope that Billy made his way to the hobo heaven of the Big Rock Candy Mountain.
Billy, the Oklawaha Valley Railroad Goat on Main Street in Fort McCoy, Florida.
For more information about Billy see:
Bray, Sybil Browne. Marion County Remembers: Salty Crackers; Volume 3, (1984).
Turner, Gregg. A Short History of Florida Railroads (2003).
Cook, David. “Ocklawaha Valley RR struggles to Survive”. Ocala Star-Banner. September 18th 1994.
Harriet Beecher Stowe (1811-1896), famed author of Uncle Tom’s Cabin (1852) and noted abolitionist, is remembered for her New England roots and Northern perspectives. However, Stowe both influenced and was influenced by Florida.
Harriet Beecher Stowe
After the Civil War, in 1867, Stowe and her family wintered in Mandarin, FL on the east bank of the St. Johns River, now a neighborhood of Jacksonville.
Mandarin, FL Home Harriet Beecher Stowe and family, between 1869 and 1878
During her Florida winters, Stowe wrote Palmetto Leaves, published in 1873, a travel memoir of her years in Mandarin. Palmetto Leaves’ literary sketches include: “A Flowery January in Florida,” “Swamps and Orange-Trees,” “The Laborers of the South,” and “Buying Land in Florida” among others.
Cover of the 1st Edition of Stowe’s Palmetto Leaves (1873)
Until its destruction in 1964 by Hurricane Dora, the Church of Our Saviour in Mandarin, FL housed the Stowe Memorial Stained Glass Window created by Louis Comfort Tiffany.
Harriet Beecher Stowe memorial window created by Louis Comfort Tiffany for the Church of Our Saviour in Mandarin, FL
Although the photographs on Florida Memory are often discussed for their historic value, all exhibit some level of artistic direction and formal design elements.
A group of San Francisco-based photographers known as Group f/64 were renowned for their extreme focus and depth of field. Beginning in the late 1920s, Group f/64 formed as a sub-group of the West Coast Photographic Movement, a straight photography movement that worked against the prevailing pictorialist movement which attempted to mimic gestures of Romantic and Impressionist painting. The group included Ansel Adams, Imogen Cunningham, John Paul Edwards, Sonya Noskowiak, Henry Swift, Willard Van Dyke, and Edward Weston.
Marjorie De Hartog, Close-up view of water hyacinth in the Everglades, c.1950s. Compare with photographs of the desert flora by Imogen Cunningham.
Group f/64’s name was derived from the extremely small aperture used in their large-format photography in photographing landscapes and close-up objects. The result is a severe, almost unnatural depth and crispness unattainable by the human eye or previous photography.
Scenic view of Lake Eola Park – Orlando, Florida, n.d. Compare with Ansel Adams’ sober, high-contrast landscapes.
Their impact on photography became widespread by the 1930s and can be seen in many of the photographs in the Florida Photographic Collection. While the landscapes and objects have changed, the principles remain unchanged.
W.F. Jacobs, Detail of bark of black birch O’Leno State Park, Columbia County, Florida. 1940. Compare with the almost unrecognizable, uncomfortably close-up Edward Weston photographs.
While the images shown here were not necessarily inspired directly by this group, they are suggestive of the f/64 aesthetic. These formalist, aesthetic, and stylistic approaches foster new and different ways to engage with the images.
Close-up view of Jupiter Inlet Light Station – Palm Beach County, Florida Compare with the crisp architectural photographs of Willard van Dyck or John Paul Edwards.
Detail of whole-shell tabby concrete at the Kingsley Plantation State Historical Site – Fort George Island, Florida, 1981. Compare with the disorienting and sometimes misleading details of Sonya Noskowiak.
Marjorie Kinnan Rawlings was the first Floridian to receive the Pulitzer Prize for the Novel (later named the Pulitzer Prize for Fiction). She won the award in 1939 for her book The Yearling.
Marjorie Kinnan Rawlings (1896-1953)
In 1928, Rawlings purchased an orange grove in Alachua County near Hawthorne, FL. Located between Lochloosa Lake and Orange Lake, the site was called Cross Creek. The surrounding area served as a setting, provided the characters, and influenced the stories of most of her novels and short stories. Themes of rural Florida, the Big Scrub area, and Florida Cracker culture are prevalent in her works.
Cross Creek, FL
The plots of her novels revolved around her observations in this area: farming, hunting, the interaction with the environment and its inhabitants, moonshining, and poverty. Rawling’s depictions were so direct from her experience, people she met were named in her novels and descriptions were recognized by the locals resulting in threats and at least one law suit for invasion of privacy.
MGM set for the film adaptation of The Yearling, 1940 with Gregory Peck & Jane Wyman
Her works garnered several awards including an O. Henry Award in 1932 (for “Gal Young Un”) and the Newbery Honor in 1956 (for The Secret River). Several of her works have been adapted for stage and screen. The story rights to The Yearling were purchased by MGM and an Academy Award winning film adaptation was released in 1946, increasing her fame.
Marjorie Kinnan Rawlings home in Cross Creek, FL
Rawlings’ Cross Creek home, where she once hosted Zora Neale Hurston, is now preserved as the Marjorie Kinnan Rawlings Historic State Park and has been designated a National Historic Landmark.
Florida Memory is funded under the provisions of the Library Services and Technology Act, from the Institute of Museum and Library Services, administered by the Florida Department of State, Division of Library and Information Services.