The Koreshan Unity Collection: An Inside Look into Processing a Large Archival Collection (Part One)
Ever wonder what archivists mean when they say a collection is in process?
This is the first in a series of posts about processing a large historical records collection. Join us as we transform hundreds of boxes of disorganized, mislabeled files into an accessible, understandable, research-ready collection.
Assisted by National Historical Publications and Records Commission (NHPRC) grant funding, the State Archives of Florida is processing the records of the Koreshan Unity, a late 19th/early 20th century religious utopian community whose members shared a common belief in Koreshanity.
Among the Unity’s unique beliefs was their guiding principal that the Earth existed as a concave sphere. As a result, Earth’s populace lived inside the Earth, with the planets existing in the center of the sphere where the Earth’s core would otherwise have been.
The Koreshan Unity collection contains many thousands of documents and photographs illustrating the members’ beliefs and the expression of those beliefs in their communal lifestyle. The collection accumulated for a century throughout the Unity’s existence. In 2008 and 2009, State Archives staff traveled to Estero, Florida, to evaluate the collection and identify materials of historical importance to be transferred to the Archives. Here is what we found in Estero:
With extensive assistance from Koreshan State Historic Site staff, archivists prepared and transported the historical records to Tallahassee so they could be preserved and made accessible.
Because the Koreshan Unity collection provides a unique look into both the archival process and Florida history, we’ve decided to share this journey with blog readers and patrons of the State Archives of Florida. Watch for future posts for more on the history of the Unity, collection processing activities and interesting finds in the collection.
Perhaps no one is more responsible for the growth of southern Florida’s population than
Apalachicola’s Dr. John Gorrie.
Wealthy industrialists certainly played an important role, financing and building railroads, hotels and golf courses to entice hordes of tourists to venture south during the winter months. But what about the sweltering summer heat? Boosters pined for a solution that could perhaps convert winter tourists into permanent residents.
Enter Dr. John Gorrie. His contribution came, appropriately, at the beginning of summer, in May of 1851, when he patented an ice-making machine. Gorrie’s goals were medicinal, and his machine helped to lessen the suffering of yellow fever victims.
The invention of mechanical refrigeration also became the basis for air-conditioning in the 20th century. If not for Gorrie’s invention, Florida may have remained a winter destination instead of a year-round paradise.
Dr. Madan Kataria first introduced this day in 1998 to broaden understanding and friendship throughout the world. The celebration of World Laughter Day is meant to be a positive manifestation for world peace and to build up a global consciousness of brotherhood and friendship through laughter.
The observance takes place annually on the first Sunday of May; it has now spread to 65 countries and led to the creation of thousands of laughter clubs.
We all know laughter is contagious. Walt Disney said, “Laughter is America’s most important export.”
To see more photographs guaranteed to make you smile, visit the Florida Laughing exhibit on the Florida Memory website.
Iconic folk singer, teacher and activist Pete Seeger turns 93 this year. Although he resides in New York, his work collecting and promoting folk music inevitably brought him to the state of Florida. In 1956, he recorded an album with Florida Folk Heritage Award winner William “Washboard Bill” Cooke. Later, he befriended the Father of Florida Folk himself, Will McLean.
This rendition of the McLean-penned “Osceola’s Last Words” was recorded May 21, 1977, at the Stephen Foster Memorial Center in White Springs, Florida. Stay tuned for a podcast of the complete performance later this month.
“Osceola’s Last Words”
Artist and cartographer Jacques Le Moyne de Morgues (1533-1588) accompanied René de Laudonnière (ca. 1529-1574) to Florida in 1564. Laudonnière hoped to established a French settlement in the vicinity of the River May (St. Johns River), first explored by Jean Ribault (1520-1565) in April 1562. By June of 1564, the French had constructed Fort Caroline near the mouth of the St. Johns River.
In September 1565, Spanish soldiers led by Pedro Menéndez de Avilés (1519-1574) attacked the French. Le Moyne, charged with illustrating French progress, lost most of his work during the siege.
Following the rout of the French by the Spaniards, Le Moyne returned to Europe where he reproduced sketches of Florida from memory. In 1591, the Flemish engraver Theodor de Bry (1528-1598) published 42 engravings based on Le Moyne’s work.
De Bry’s renditions of Le Moyne’s sketches are both historically significant and highly controversial. Scholars contend that Le Moyne included features that do not match later depictions of the local Timucua Indians, and also that de Bry may have altered many of the images prior to publication. Artistic license is evident in several of the images included here. For example, in the above scene depicting the Timucua greeting the French, mountains are visible in what is supposed to be northeastern Florida.
Other elements provide clues into Timucuan culture. The Chief in the image above (“Grieving widows approach the Chief” ) is adorned with numerous tattoos. Because Europeans were largely unfamiliar with tattooing for decorative purposes, it appears unlikely that either Le Moyne or de Bry fabricated Timucuan body art. Later ethnographic information gathered by Europeans supports the notion that tattooing was quite common among the southeastern Indians.
Regardless of their authenticity, the images created by Le Moyne and published by de Bry constitute the earliest known visual representations of Florida and its indigenous people. Although the illustrations provide only a small window into the lives of the Timucua, they reveal a wealth of information about the goals and aspirations of the French and their efforts to promote the colonization of Florida.
Images such as “Chief Saturiba goes to war,” above, were meant to promote French colonization. This particular image conveyed the notion that the Timucua obeyed authority, were organized and fit for war, and could perhaps aid the French against their Spanish foes. The images depicted the Timucua as less sophisticated than Europeans, both in terms of dress and weaponry, and therefore they were potential candidates for accepting French religion and civilization.