|
|
 |
 |
| Seminole
Portraits |

Micanopy,
a Seminole chief.
|
 |
The portraits
of some of the major Seminole leaders of the Second Seminole War (1835-1842)
are a highly prized set of hand colored lithographs. They were produced
from original paintings done by Charles Bird King (1785-1862), a Washington,
D.C. artist, noted for his portraits of prominent people in government
and Washington society, as well as those of many Indian delegations who
visited the capital.
The Seminoles,
except Osceola, visited Washington and were painted during the spring
of 1826. Lithographs were also published by Thomas L. McKenny and James
Hall in The Indian Tribes of North America with Biographical Sketches
and Anecdotes of the Principal Chiefs between 1837 and 1844.
|

Nea-Math-La,
a Seminole chief. |

Micanopy, a
Seminole chief. |

Asceola, a
Seminole leader. |

Tuko-See-Mathla,
a Seminole chief. |

Foke-Luste-Hajo, a Seminole. |

Chittee Yoholo, a Seminole chief. |

Julcee-Mathla, a Seminole chief. |

Yaha-Hajo, a Seminole chief. |

Jtcho-Tustinnuggee. |
|
|
|
| NEW AND
NOTEWORTHY
ON FLORIDA MEMORY |
 |
 |
 |
 |
 |
 |
|
 |
|
 |
| Selling, Telling, and Yelling: Florida broadsides and other ephemera, 1800-2000 Before television, radio, and the internet, Florida society communicated widely and often through broadsides, advertisements, flyers, and other ephemera. |
|
Florida Blues Each of our neighboring southern states has placed a unique brand on the music’s form and sound—Florida hasn’t done a bad job of that in its own right. |
|
Florida Cigars: Artistry, Labor, and Politics in Florida’s Oldest Industry Commercial cigar rolling first came to Florida in the 1830s and in the decades after the Civil War it became one of the most important industries in the southeastern United States. |
|
 |