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Folklife Database: Jeanie Fitchen performing at the 1992 Florida Folk Festival (Old Marble Stage)

Item Type:
Sound
Series Number/Title S1576
Container
Item Audio recording
Item ID Number T92-67 - T92-68
Item Title Jeanie Fitchen performing at the 1992 Florida Folk Festival (Old Marble Stage)
Program/Event Florida Folk Festival
Date/Date Range 05/22/1992
Collector/Fieldworker Florida Folklife Program
Wallace, Scotty
Tradition Bearer Fitchen, Eugenia (Jeanie) Sisinni, 1951-
Ethnicity/Nationality Italian American
Genre/Occupation Singers
Musicians
Guitarist
Title of Work Rocking the Child (T92-67)
A Child Not My Own
The Cruel Mother
Whistle Daughter Whistle
Trilogy (T92-68)
Be Not Too Hard
Tear Down the Walls
Get Together
Subject Folk festivals
Folklore revival festivals
Festivals
Special events
Performing arts
Performances
Italian Americans
Composers
Folk singers
Singers
Musicians
Singing
Music performance
String instruments
Guitar music
Guitarists
Personal Name Murray, Tammy
Place Name White Springs (Fla.)
Hamilton County (Fla.)
Corporate/Conference Name Florida Folklife Program
Stephen Foster Center
Stephen Foster Folk Culture Center State Park
General Note/Comment Field Two reel to reel recordings. Tammy Murray served as emcee. Often called the 'Queen of Florida Folk,' Fitchen debuted at the Florida Folk Festival at fifteen in 1966 as Eugenia Sisinni. Born in Orlando, Fitchen has played most of the festivals ever since, as well as many others including the Beers' Fox Hollow Festival. In 1999 she was nominated for a Grammy for her album, Roads. Fitchen told a story about each song.

The song "Cruel Mother" performed by Jeanie Fitchen is available on the Folk Music page.

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Folklife Database
Search this database for descriptions of photographs and audio recordings from the Florida Folklife Collection available at the State Archives of Florida. Approximately 46,000 photographic images and approximately 5,000 audio recordings are cataloged. Contact the Archives to order images and recordings.
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Because many of the original recordings are in a fragile condition, patrons will only be permitted to use digital copies of those recordings. However, the digitization project is still in progress, and therefore some recordings may not yet be available. Please contact us ahead of time to ensure availability.

 


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