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| Florida
Folklorists of Past and Present |
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DeVane
recording blues musician Emmett Murray: Belle Glade, Fla. (1980) |
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Dwight DeVane
Folklorist Dwight DeVane worked for the FFP
during its early years. Devane initially worked as a resource consultant
for the North Florida Folklife Project in 1978 with fellow folklorists
Brenda McCallum and Peggy Bulger. After graduate studies at Western Kentucky
University, Dwight co-directed and co-produced (with McCallum) the Drop
On Down in Florida project in 1980, which resulted in a two-disc album
of field recordings. Funded in part through an NEA grant, this project
-- with assistance from Bulger and Doris Dyen -- documented and examined
sacred and secular music forms found within Florida’s African-American
communities. (This project is scheduled for reissue in 2008).
In 1981, Dwight was the folklorist/project director for another NEA-funded
project, the Folk Arts in the Schools (Tampa/Hillsborough County). Working
with the Hillsborough County School System, the Tampa-Hillsborough County
Arts Council and the Florida Folklife Program, this project incorporated
the study of regional, ethnic, and occupational folklife within the existing
format of the mandated Florida Studies curriculum in five fourth- and
eighth- grade classes. Devane, who is also a musician (guitarist-fiddler),
lives in the Gainesville area.
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McDonald
with cabbage farmer Vince Singleton during fieldwork for the St. Johns
River Survey: Hastings, Fla. (1985) |
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Mary Anne
McDonald
Dr. McDonald is currently an ethnographer with the Department of
Occupational Medicine at Duke University. After receiving her M.A. in
Folklore from the University of North Carolina, Chapel Hill, she spent
two decades documenting North Carolina folklife, including publishing
in several journals. She also served as president of the North Carolina
Folklore Society, which in 2003 awarded McDonald the Brown-Hudson Award
for preserving, researching, and disseminating folklore. She later received
a doctorate in Public Health, also from the University of North Carolina.
In 1985, she worked with Kathleen Figgen on the St. Johns River Survey
for the Florida Folklife Program.
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Roller
with a sponge diving suit while conducting fieldwork for the Maritime
Heritage Survey: Tarpon Springs, Fla.(1986) |
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Peter
Roller
Ethnomusicologist Roller is an assistant professor of music at Alverno
College in Milwaukee, Wisconsin. He is currently working on a doctoral
dissertation about garage rock bands. Roller is also an accomplished music
producer and guitarist. In 1986, he produced the album, Mandolin Blues
Man, with Yank Rachell (1910-1997). While with the Florida Folklife
Program, Roller worked on the Folk Arts Apprenticeship Program, the Florida
Folk Arts Survey, and the Maritime Heritage Survey.
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Reddy educating school kids on sugar cane harvesting
for Rural Folklife Days: White Springs, Fla. (1991) |
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David
Reddy
Today the Resource Center Director for the Florida Humanities Council,
Reddy worked for the FFP in the late 1980s and early 1990s. Projects that
Reddy worked on during his tenure as a state folklorist include the Dudley
Farm Project, the Florida Folk Arts Survey, the Sponge Industry Folk Arts
Festival, Rural Folklife Days and the Folk Arts Apprenticeship Program.
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Sugarcane demonstration at the Rural Folklife Days: White Springs,
Fla. (Photographed by Hollingsworth, 1993) |
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Teresa
Hollingsworth
Hollingsworth is Traditional Arts Manager for the Southern Arts Federation,
in Atlanta. A graduate of the Folklife Program at Western Kentucky University,
she has also worked for the Maine Folklife Center. While employed with
the FFP in the early 1990s, Hollingsworth worked on the Rural Folklife
Days, the Central Florida Folklife Survey and the Duval County Folk Arts
in Education program.
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Taken
during the Ida Goodson Recording Project: Pensacola, Fla. (Photographed
by Peterson, 1981) |
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Betsy
Peterson
Dr. Peterson is the program director for the Fund for Folk Culture, based
out of Santa Fe, New Mexico. A graduate of the Indian University Folklife
Program, she has also worked as traditional arts director for the New
England Foundation for the Arts, the program coordinator for Texas Folklife
Resources, and a visiting folklore professor at UCLA. While working for
the FFP, Peterson worked on the Ida Goodson Recording Project and the
Traveling Entertainment Recording Project.
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Jon
Kay plays an autoharp: Fort George Island, Florida (2001) |
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Jon Kay
Kay is director for Indiana’s state folklife program, Traditional Arts
Indiana. After graduating from Western Kentucky University’s Folklife
Program, Kay worked as the Florida Park Service folklorist, based at the
Stephen Foster Center in White Springs between 1997 and 2004. In addition
to serving as director of the Florida Folk Festival from 2002 to 2004,
he also conducted research and offered educational folklife programs in
the White Springs area. While in Florida, Kay also worked for the Historical
Museum of Southern Florida, wrote for the Florida Humanities Council and
participated in numerous exhibits and public programs. In addition to
fieldwork, Kay is also a widely respected dulcimer musician.
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McNeil,
left, with folklorist Ormond Loomis and Doris Dyen during a cakewalk:
Pensacola, Florida (1981) |
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Bob McNeil
McNeil was
the archivist, as well as a fieldworker, for the Florida Folklife Program
in the late 1970s and early 1980s. His indexing system was integral to
creation of the present database. A native of Pensacola, McNeil received
his master's degree in American History at the University of West Florida.
After several years with the FFP, he transferred to the Museum of Florida
History as a historian with interests in Native American and immigrant
studies. Bob's major exhibition projects in the last ten years included
Sunshine and the Silver Screen: A Century of Florida Films; and
Follow That Dream: Florida’s Rock and Roll Legends. He recently
drew upon his folklife experience for the 2005 exhibit, Florida’s Got
the Blues, which included material from Mary McClain, Johnny Brown,
and Moses Williams.
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